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Original Modernism Politics Painting by Mason Heckett
Original Modernism Politics Painting by Mason Heckett
small-01
Original Modernism Politics Painting by Mason Heckett
small-02
Original Modernism Politics Painting by Mason Heckett
Original Modernism Politics Painting by Mason Heckett
Original Modernism Politics Painting by Mason Heckett
Original Modernism Politics Painting by Mason Heckett
Original Modernism Politics Painting by Mason Heckett

1

"Michelle Obama" Fine Art Print

Mason Heckett, United States

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
8 x 12 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Michelle Obama is best known as the former US First Lady, but long before becoming the wife of America’s first African American president, this strong and inspirational woman was changing the world. With her history of taking practical steps to make social changes, and in particular her goal of empo...

Year Created:

2021

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

8 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Utilizing painting, drawing, and printmaking techniques, my work examines the personal and universal exchanges found in contemporary portraiture, yet through expressive color, luminosity, and gestural mark marking, dislocates portrait painting from historical and hierarchical structures. I desire to startle the viewer. The notion of the graphic impulse, with its raw, immediate, and unflinching emotional extremes delivering a directness and frankness, characterizes my work. Abstracted marks are cumulative, each stratum revealing visceral and emotional intensities. I attempt to draw the viewer inward to experience an encounter with the subject and the collective consciousness.

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