118 Views
10
View In My Room
Canvas
16 x 16 in ($145)
White Canvas
White ($150)
118 Views
10
"Mount Athos," a commanding 120x120 painting, utilizes a captivating abstract technique to represent the spiritual and natural landscape of the renowned monastic site in Greece. This artwork is distinguished by its masterful use of color gradients and geometric forms, offering a unique perspective on this sacred location where, notably, women are not permitted. The canvas is dominated by a white-yellow background, gradually intensifying towards the center, symbolizing the purity and spiritual radiance of Mount Athos. This progression of color to a more vivid hue mirrors the deepening sense of spirituality as one approaches the heart of this monastic haven. The transition of colors from green to dark green and then to deep blue in the center reflects the lush, natural beauty of the island and the profound depth of monastic life. Interspersed within this color scheme are white stripes and squares, adding a rhythmic structural element to the abstract portrayal. These geometric shapes evoke the orderly and contemplative lifestyle of the monastic community and the architectural features of the monasteries, set against the backdrop of the natural landscape. This painting is not just an artistic representation of Mount Athos but also a commentary on the unique cultural and religious practices of the site, including the centuries-old prohibition of female presence. "Mount Athos" invites viewers to engage with the complex interplay of nature, spirituality, and tradition, encapsulated within its abstract and thought-provoking composition.
2020
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
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United Kingdom
One falls with the rain One runs with the wind One tries... but remains A child of time Blessing can be, reading one mind Course to return on Bering Strait Line Hold Glory to Gods Pray to collect Francium Butterflies Constantly fight Aurora Tides One lives or One dies One trusts if One must Tries...but still whispers Invisible colours On the derelict roof of this time. In the compelling verses of this poem, the reader encounters the portrait of an artist as a vessel through which the elemental forces of nature and time flow and converge. With a deft use of metaphor, the poet paints the artist as one with the rain and wind—mediums in the eternal act of creation, surrendering yet resisting the ephemeral dance of existence. The artist is both a participant and observer, wrestling with the dualities of life and death, trust and doubt, the visible spectrum and the colors beyond our sight. The poet's reference to the Bering Strait Line is not merely a geographical allusion but a symbolic return to origins, a navigational thread through the labyrinth of the creative process. It speaks to the artist's journey, which is both a blessing and a curse—blessed with the clarity of vision that can penetrate one mind, yet cursed with the Sisyphean task of capturing the essence of Francium butterflies, those fleeting moments of beauty and truth, before they decay into the annals of time. The divine is invoked, not as a deity of worship, but as a witness to the grandeur of the struggle—the artist's prayers are not for salvation but for the strength to continue the fight against the 'Aurora Tides,' the overwhelming waves of inspiration and despair that define the act of creation. The final stanza leaves us with a poignant image of an artist, a creator of worlds, who whispers to the invisible hues, leaving a mark on the 'derelict roof of this time.' It is a testament to the often unseen and unheralded act of creation, which takes place in the solitude of the studio, where the artist engages in a silent dialogue with time itself, leaving a legacy that transcends the decay of material existence. Through this poem, the artist is immortalized not just as a creator of art, but as art itself—timeless, enduring, and eternally enmeshed in the canvas of the cosmos.
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