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"My Modern Garden At Giverny" Fine Art Print
$290
Material
- State-of-the-art coating infuses images directly to aluminum to make art come alive with vibrancy and clarity
- The heavy, ultra-hard, scratch-resistant surface is water and moisture resistant and can be cleaned easily – just avoid direct sunlight
- Features a robust 3/4" inset exhibit mount frame. Hardware installation provided
Size
Frame
Archival-grade Materials
Fade-resistant Inks
Professionally Printed
Artist Recognition
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
A modern version inspired by impressionism of Monet's Garden of Giverny in France. The shift of light , color and diffusion of sky, earth, water and trees in a primitive abstract expressionism.
Year Created:
2016
Subject:
Medium:
Print, Ink on Aluminum
Rarity:
Open Edition
Size:
24 W x 12 H x 0.88 D in
Ready to Hang:
Yes
Frame:
Not Applicable
Packaging:
Ships in a Box
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 10-14 business days for domestic shipments, 15-21 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
Need more information?
Need more information?
David Chevtaikin is a New York–based multidisciplinary artist working between abstract expression and conceptual minimalism. With a foundation in Illustration, Graphic Design, and Photography, his practice moves fluidly across traditional and nontraditional mediums.
Shaped by years immersed in New York City’s gallery and museum landscape, as well as a background in large-scale installation and display, his work reflects a sensitivity to space, composition, and the subtle interplay of form, light, and dimension.
Over the past decade, Chevtaikin has developed a distinct visual language he defines as “Minimalistic Complexity” his own stylization a study in tension between restraint and intricacy. His compositions unfold, revealing layered structures, controlled disruption, and quiet movement.
Beyond the visual, his paintings seem to operate at a different register—where meaning is not explicitly given, but sensed. What emerges is less a narrative than a presence: something unspoken, felt before understood.
work exists in that threshold where language dissolves inviting not explanation, but experience.
Recognition:
Artist featured in a collection
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