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View In My Room

"Neon Eye One Flemish Masquerade Abstract Graffiti" Print

David Chevtaikin

United States

Open Edition Prints Available:
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9 x 12 in ($68)

9 x 12 in ($68)

15 x 20 in ($102)

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Black ($80)

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Natural Wood ($80)

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$68

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Pop meets Renaissance paintings inspired this latest work I hope the viewer fines a world of fantasy in a modern urban neon landscape while I was working with graffiti street art influences limiting the palette to black and white abstraction while fusing the beauty of renaissance portraits and figu...

Year Created:

2020

Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

9 W x 12 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

David Chevtaikin is a New York–based multidisciplinary artist working between abstract expression and conceptual minimalism. With a foundation in Illustration, Graphic Design, and Photography, his practice moves fluidly across traditional and nontraditional mediums. Shaped by years immersed in New York City’s gallery and museum landscape, as well as a background in large-scale installation and display, his work reflects a sensitivity to space, composition, and the subtle interplay of form, light, and dimension. Over the past decade, Chevtaikin has developed a distinct visual language he defines as “Minimalistic Complexity” his own stylization a study in tension between restraint and intricacy. His compositions unfold, revealing layered structures, controlled disruption, and quiet movement. Beyond the visual, his paintings seem to operate at a different register—where meaning is not explicitly given, but sensed. What emerges is less a narrative than a presence: something unspoken, felt before understood. work exists in that threshold where language dissolves inviting not explanation, but experience.

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