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Eric Drass

United Kingdom

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About The Artwork

Approximately 4 million years ago, our ancestors adopted Bipedalism, freeing up their hands for more dexterous activities. However, in recent years, our sophisticated tool making skills have resulted in the creation of the smart phone. A scrying mirror so compelling, that we willingly give up one of our hands, disengage from the present moment, and hunch over our devices, literally deforming us.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 8 H x 0.1 D in

Size with Frame:15.25 W x 13.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Eric Drass is an artist and curator who makes work in a range of media, from painting, to digital installation, to generative experiments which live on the net. Some of his favourite themes are identity, consciousness, the philosophical ramifications of artificial intelligence, big data and the relationship between humans and machines. Sometimes this work is political, frequently it is playful, often it is provocative or transgressive in some way. His works are frequently reported and cited online (BoingBoing, b3ta, Imperica, Computer Arts and Wikipedia etc.) Eric holds a degree in Philosophy and Psychology (Oxford) and an unfinished PhD in Cognitive Psycholinguistics (also Oxford). He is co-author on a number of patents dealing with PRISM-type surveillance technologies (long before PRISM became public), and a number of academic papers relating to neural network models of language acquisition and heritability. He also used to be a singer in an experimental hardcore band, an unsuccessful male model, and once took at dotcom 1.0 company from a bedroom project to 14 countries and back, spending $50m on the way. Twenty years ago he was a TV star in America, but he doesn’t like to talk about it.

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