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Nudibranch Carnival Print

Anashrita Henckel

United Arab Emirates

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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9 x 12 in ($87)

9 x 12 in ($87)

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White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

No Frame

$167

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ABOUT THE ARTWORK

Creating natural inks out of plant materials has been an incredibly satisfying process and here, the nudibranch's bright carnival colours were a perfect way to explore the layering of different inks upon one another. The most exciting thing about plant based inks is the chemical reactions that happen right before your eyes. Colours change as they dry sometimes from bright pink to blue, like blueberry ink. Other inks change when mixed with another, like turmeric, which changes beetroot to deep orange. I hope that this limited edition print will bring a bit of nature and colour to someone's walls.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

9 W x 12 H x 0.1 D in

Size with Frame:

14.25 W x 17.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Anashrita Henckel

Anashrita Henckel

United Arab Emirates

The order and perfection of geometry captured me from the moment my father put a compass in my hand, at the age of 4. Geometry often appears in my art and for me, it can be a symbol of order, structure and rules. To juxtapose fragments of perfectly formed geometry beside intuitive mark making, abstract swirls of colour or photo layered images and drawings fills me with a sense of satisfaction as it somehow mirrors our lives - a multiplicity of seemingly random events that may have some order beneath. Often, my artwork has a deeper symbolic narrative that allows it to almost be read and understood on a variety of levels. Certain geometric shapes and designs can be seen to have symbolic meaning in Islamic art, I sometimes use this to build in a deeper layer of symbolism into my work. Having lived the first part of my life in the diverse island of Trinidad, in the caribbean, I am drawn to vivid colours and textures, perhaps somehow harking back to the colours of carnival. Yet my personal studies into Islamic, Euclidean and non Euclidean geometry have opened up a world of psychological and spiritual symbology that has allowed me to explore bigger themes such as order and chaos; predetermination and freedom; intuition and reason.

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