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Nuestra Señora de la Asunción Church Print

Jessica GONPRA

Spain

Open Edition Prints Available:
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Fine Art Paper

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8 x 10 in ($42)

8 x 10 in ($42)

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White ($80)

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White ($80)

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$122

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ABOUT THE ARTWORK

Interpretation of the Nuestra Señora de la Ascensión Church, Foios (Valencia, Spain) in plain air. Realization with spatula and brush punctually. I really like to paint by making my own version with spatulas: some architectures that I like are usually churches, cathedrals, original floors, floors with mirrors,... These types of constructions inspire me to play with colors and textures.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

8 W x 10 H x 0.1 D in

Size with Frame:

13.25 W x 15.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Jessica Gonpra (1988, Barcelona) currently living in Valencia. He completed his Master of Art (faculty medal), as well as his Bachelor of Fine Arts at the Sevilla University. Working countless times as a painting and drawing teacher it stands out for its prompt progress; making his first exhibitions in the second year of his career on the day of today counting with more than fifty collective exhibitions; highlighting several fairs in London and France among them; as well as fourteen awards between prizes and honorable mentions. His painting is characterized by his denunciation, as well as introspection, always emphasizing the color and the search for nuances, as well as matter. Representing face in different collections human and concrete feelings "to the cousin". Given his academic training, as well as his prompt commissions for portraits at the age of fifteen; departed from a base with a great desire to develop its painting without limiting the materials for it, making most of his works with wall spatulas. What has evolved in the search for small nuance of color, the theory of color, the psychology of color, the pictorial trace, then towards the need for depth and a return to the gesture of the brush interspersing it in his works.

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