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Orchis Purpurea Print

Cinzia Marotta

Italy

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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6 x 12 in ($40)

6 x 12 in ($40)

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White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($140)

Metal: Dark Pewter ($140)

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$120

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ABOUT THE ARTWORK

A Lady Orchid telling the magic of wild and dewy meadows, from the Herbarium collection. For me, painting is learning, and in my cataloging collections a scientific approach blends with the magical vision. Each piece in the Herbarium series is a study of a species in its environment, an end in itself or to be used in larger artworks. I made this original oil painting with archival, eco-friendly and cruelty-free materials. I choose sustainable paints and solvents and avoid rabbit skin glue or animal brushes. Moreover, no dead or stuffed specimens were used as models. The panel is designed to be hung without a frame and hardware is included. However, it is still possible to frame it according to your personal taste.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

6 W x 12 H x 0.1 D in

Size with Frame:

11.25 W x 17.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m a nature oil painter living and working in Umbria, Italy. My realistic, but somewhat magical style is grounded by hard research and a scientific approach, aimed at capturing the mysterious, dark side of a natural world as opposed to an anthropocentric vision of our reality and culture. As a teen, I studied in the atelier of famous Italian painter Pietro Sabatini, but then life took on a different path. After twenty years as an AD in a small company, I dropped everything to return to my art. Now my life is based on withdrawal from society and artistic research, with the aim of becoming an important figure in the contemporary world art scene. I paint plants and animals, exploring the mystery of their balance in a shared and fragile environment. In contrast with the traditional idyllic idea of nature, conceived as a way to give pleasure to the human eye, my vision is often dark and enigmatic. I get inspired by Pre-Raphaelites painters, in particular by their investigative approach to nature, by the background of Italian Renaissance portraits and by Flemish still life painters, in particular Otto Marseus Van Schrieck, inventor of the forest floor still life. My process is as sustainable as I can. I prepare every canvas from raw organic linen, avoiding rabbit skin glue and other animal products, constantly researching sustainable processes and materials. My philosophy is that it makes no sense to paint nature while polluting it.

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