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Our Lady of Compassion — Impression of Jacinda Ardern Print

Amanta Scott

Canada

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ABOUT THE ARTWORK

“To me, leadership is not about necessarily being the loudest in the room, but instead being the bridge, or the thing that is missing in the discussion and trying to build a consensus from there.”— Jacinda Ardern In the wake of the Christchurch massacre, a white supremacist attack on the New Zealand Muslim community, Jacinda Ardern, Prime Minister of New Zealand, wore a headscarf to convey a message of respect and unity with the shattered community. Her appearance reminded Artist Amanta Scott of the Mater Dolorosa, the grieving mother Mary. The treatment of the work and title choice aims to reflect the universality and power of sorrow, empathy and compassion. This encaustic painting is part of my series Eyeing Medusa — celebrating wise/willful women making a difference in the world; exploring how representations of women in art relate to problems in today's society; and facilitating change. Eyeing Medusa encompasses encaustic portraits, interactive sculpture installations, video, and online resources.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

10 W x 10 H x 0.1 D in

Size with Frame:

15.25 W x 15.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Through encaustic paintings, interactive sculptures, audio/video installations and workshops, I address urgent contemporary social issues. Core to my practice is connecting art with communities— inspiring people of diverse cultures, ages and walks of life to engage with art, share stories, and consider how it relates to their lives. Canadian-born, I come from over ten generations of human rights activists, philosophers, rabbis, artists and refugees. Uniting us all is the Jewish concept of Tikkun Olam: each individual’s responsibility to repair the world. Encaustic painting, practiced by Greek artists since 400 B.C, evolves through successive layers of molten beeswax, each fused to the previous one with a torch or iron. An active partner in my process, beeswax asserts itself texturally and sculpturally as I paint, layer, fuse, scrape, and re-work. This medium also embodies the multiple layers of meaning in my work. Drawing inspiration from personal experiences, psychology and mythology, particularly stories of archetypal females, I honour women’s strength and wisdom in the face of adversity. My work celebrates visionary contemporary women of all ages, orientations, cultures and walks of life making a difference in our world today. Each painting’s title and story parallels a legendary heroine with a contemporary woman. By fusing the past with the present, I invite viewers to look at women in a new light, as a means to illuminate and address urgent contemporary social issues. I paint faces, recognizable yet abstracted, closeup so the viewer can look into their eyes without distractions and feel what remarkable people they are. In this way, I challenge traditional representations of women in art which normalize objectification and violence against women. Through dialogue, reflection and the power of art, I aim to inspire, provoke change, dismantle harmful narratives, and contribute to a more equitable society.

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