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Archival-grade Materials
Fade-resistant Inks
Professionally Printed
Artist Recognition
The peyote cut is a variant of the peyote seed; and it is a reinterpreted abstraction of the peyote root. In essence, peyote cut is literally the result of cutting a peyote in half, and in aesthetic terms, it is the inner face of the same peyote, which I represent by cylindrical layers. Happy World...
2019
Print, Giclee on Canvas
Open Edition
16 W x 20 H x 1.25 D in
Yes
Not Framed
White Canvas
Ships in a Box
Calculated at checkout.
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Ships in a box. Art prints are packaged and shipped by our printing partner.
Printing facility in California.
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I define myself as an artist who uses geometry as a compositional support, influenced by modernism, functionalism, and deconstructivism.
I am the overall winner of the 2025 VAA Artist of the Year Awards and have been named one of the 15 best-selling artists in Saatchi Art history.
Unlike a purely decorative pursuit, I base my series on years of research into Mexico's material heritage, even going so far as to create my own natural pigments using indigenous techniques. I seek to represent a purposeful fusion between tradition and global modernity, standing out for Abstraction with a Denomination of Origin: I aim for minimalism to cease being a "renunciation of representation" and become a natural expression of Mexican culture. I use elements such as mamey, huitlacoche, or peyote, etc., to anchor geometric abstraction in Mexico's organic identity. In my most recent series, "Wonderland," I explore the transcendence of cultural clash (the conquest) and how "Mexicanness" contributes to the current global context. Instead of following trends, I employ a vibrant palette inspired by traditional crafts and textiles, applying it with a technique of transparencies and layers that invites the viewer to a close and emotional observation. I reinterpret figures like alebrijes, not as monsters, but as physiognomic guides and protectors of the architectural space on the canvas, elevating folklore to a category of universal abstraction.
Recognition:
Featured in the Catalog
Showed at the The Other Art Fair
Artist featured in a collection
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