3
"Pauline à la cage" Fine Art Print
$40
Material
- 100% cotton, acid-free, museum quality paper
- Printed with archival pigmented inks
- Has a 2"-3" white border with matte finish
Size
Frame
Archival-grade Materials
Fade-resistant Inks
Professionally Printed
Artist Recognition
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
Pauline à la cage, natural pigments, oil colors and casein. Support: wooden plate. Painting inspired by the film "Pauline at the beach" directed by Eric Rohmer.
Year Created:
2018
Subject:
Styles:
Medium:
Print, Giclee on Fine Art Paper
Rarity:
Open Edition
Size:
12 W x 9 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
Need more information?
Need more information?
Paolo Perfranceschi is an emerging Italian painter who has exhibited his work in France.
Paolo Perfranceschi underwent a purely technical training during his adolescence in order to develop his conception of space according to the rigour of the prospects of proto-Renaissance.
The influence of "his first loves", Fra Angelico, Paolo Uccello and Piero della Francesca, is recurrent in his painting.
After revisiting classical painting, his style took an important turn: his fascination for the Buddhist pantheon and the great Asian decorative tradition decided him to undertake his first decorative experiments and rediscover traditional techniques of traditional painting (such as casein painting, egg tempera, oil painting) then to convert to the exclusive use of natural products ecological and solvent free.
His passion for David Lynch’s cinema, deeply pictorial in the structure of his shots, led him to revisit the work of Edward Hopper and especially Balthus. The solitude of the characters in space and the "suspension" of the figures (often frozen as worrying presences in the middle of the set) are the leitmotiv of his last paintings.
Recognition:
Artist featured in a collection
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