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Place Royale_Quebec Print

Alan Glasspool

United Kingdom

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ABOUT THE ARTWORK

The aluminium roofs on the buildings in Place Royale in Quebec, Canada, combined with the striking stonework, combined with the almost dazzling light on the day made this a must-paint scene. I took some rough sketches on the day, blocked out the core areas of contrast and completed the rest from memory as well as experimenting with the various planes of texture in the walls and ground. It's a small, detailed painting that feels warm and also joyful, positive.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

16 W x 16 H x 1.25 D in

Size with Frame:

17.75 W x 17.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Born: Bournemouth, UK 1981. I have been painting professionally since 2000, exhibiting my work at multiple venues nationwide and overseas. I regularly undertake commissions and I have sold approx' 40 paintings that are now with collectors across the UK and in other countries including the USA. My work consists mainly of oil paintings on canvas of either portrait work, or unusual landscapes, I also produce detailed drawings and dabble a little in 35mm/digital photography. Within my work, I aim to convey a strong sense of emotional depth in order to provoke discussions around feelings and thoughts which may be obviously or subtlety apparent within the work as a result of external or internal influences. My works are commonly based upon the exploring of everyday emotions along with their inherent conscious and subconscious thoughts. These common themes are also apparent within most of my landscapes, in that the human presences within my works act as tools in illustrating how an individual or collective conscious is affecting the landscape around them or indeed how the landscape is affecting the human element within the work. I regularly aim to show suppressive or uplifting elements within the landscape which address wider, more empirical concerns surrounding issues of humanity and mortality. When there are no figures within the work, I paint in traces of human presence or activity with the same objectives in mind. I am also interested in using texture within my work to convey a sense of history, to create worn surfaces that aid the appearance of character, depth and a sense of historical cause and effect.

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