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Original Modernism Water Painting by Edie Nadelhaft
Original Modernism Water Painting by Edie Nadelhaft
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Original Modernism Water Painting by Edie Nadelhaft
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Original Modernism Water Painting by Edie Nadelhaft
Original Modernism Water Painting by Edie Nadelhaft
Original Modernism Water Painting by Edie Nadelhaft
Original Modernism Water Painting by Edie Nadelhaft
Original Modernism Water Painting by Edie Nadelhaft

219

"Platinum Sea (Marconi No.2)" Fine Art Print

Edie Nadelhaft, United States

$125

Material
  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas
Size
16 x 16 in ($125)
Select a Canvas Wrap
Black Canvas
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

Artist Recognition

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Paintings from the Platinum Sea is an ongoing series of highly detailed paintings of fragments of the surface of the ocean in the Outer Cape. The water is described in a muted palette made up exclusively of red, white and indigo. I try to keep the color fairly neutral, bringing about subtle changes ...

Year Created:

2014

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 16 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Edie Nadelhaft

About the Artist

Edie Nadelhaft

United States

Edie Nadelhaft, b. Pittsburgh, PA, is a New York City-based artist and avid motorcyclist whose realist oil paintings and playful glass and mixed media sculptures explore the impact of digital culture on human experience, as well as the exhilaration and quiet drama of existing in a finite physical state. Her work has received support from The Edward F Albee Foundation (New York, NY) and the Combined Jewish Philanthropies (Boston, MA), and has been exhibited at museums, art fairs and galleries throughout North America, and internationally in Taiwan, Shanghai and Basel, Switzerland.

Recent exhibitions include Eat The Heat, FROSCH and CO, (NYC, 2025), Lucky, FROSCH and CO, (NYC, 2025), The Every Woman Biennial, La MaMa Gallery (NYC, 2024) Peaks, FROSCH and CO, (NYC, 2023), Love Junk at SPRING/BREAK (NYC, 2022), We Ain't Goin' Nowhere (solo, Kasper Contemporary, NY, 2022),Give Me Some Skin (group, Sugarlift Gallery, NYC, 2021), Evening in America (solo, Lyons Wier Gallery, NYC, 2020), One For The Road (2 person, Frosch and Portmann, NYC, 2018), and Surface Tension (solo, William Scott Gallery, Provincetown, MA, 2016), The Contemporary Realism Biennial (Fort Wayne Museum of Art, Fort Wayne, IN, 2014), and Face to Face, Wall to Wall, a survey of trends in contemporary portraiture (Yellowstone Art Museum, Billings, MT, 2014). Ms. Nadelhaft’s work is in the permanent collection of The Ford Foundation (New York, NY), The University of New Mexico Health Sciences Center, (Albuquerque, NM) and Falconworks Theatre for Social Change, (Red Hook, NY). Her work has been published in The American Scholar (June 2017), Domino Magazine (Fall 2015), Juxtapoz (June 2014), Hi-Fructose (May 2014), The New York Times (July 2009), The Washington Post (October 2012) and Wall Street International (August 2014) among others. Residencies and awards include The Edward F. Albee Foundation Fellowship (Montauk, NY, 2025), The Artist in Residence at The Visible Vault, Yellowstone Art Museum, (Billings, MT, 2015), Platte Clove Artist-In-Residency, Catskill Center for Conservation and Development, (Platte Clove, NY, 2008), Fine Arts Painting Department Merit Award, Massachusetts College of Art, (Boston, MA, 1995) and the Combined Jewish Philanthropies Academic Scholarship, (Boston, MA, 1994).

Recognition:

  • Artist featured in a collection

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