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Pour Samuel 2020 Print

Schmitt Alain

France

Open Edition Prints Available:
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Canvas

Canvas

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12 x 16 in ($95)

12 x 16 in ($95)

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White Canvas

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White ($135)

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$230

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ABOUT THE ARTWORK

Il est difficile et malheureusement parfois mortel d'essayer de faire comprendre les bases de la législation française sur la liberté d'expression et plus particulièrement celles sur le droit de blasphème. C'est pourtant un combat pédagogique qu'il faut continuer à mener. En mémoire à Samuel Paty malheureux enseignant d'histoire et géographie, dont la vie s'est arrêté après sa rencontre avec l'incompréhension meurtrière de celui qui ne reconnait pas nos valeurs_It is difficult and unfortunately sometimes fatal to try to understand the bases of the French legislation on freedom of expression and more particularly those on the right to blasphemy. It is, however, an educational struggle that must be continued. In memory of Samuel Paty, an unfortunate teacher of history and geography, whose life came to an end after his meeting with the murderous incomprehension of one who does not recognize our values

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

12 W x 16 H x 1.25 D in

Size with Frame:

13.75 W x 17.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

La culture occidentale a pour principe de considérer qu’une œuvre picturale et ou plastique est le résultat d’un acte cérébral premier et serait en quelque sorte que l’illustration de cet acte primordiale logocratique qui va définir avec précision ce que la main de l’artiste devra réaliser. Esprit de contradiction ou simplement déviance, j’ai toujours procédé d’une autre manière et plus particulièrement pour mes dessins où je laisse main produire une image de façon quasi automatique et surtout sans réfléchir. Je signe et date le dessin, puis je laisse murir « la chose » quelques temps avant de lui attribuer un titre qui se veut une possibilité parmi d’autres et pourrait donc tout à fait être différent s’il avait été définit un autre jour. Ce titre tient plus ou moins compte de ce que le dessin et où l’œuvre plastique montre d’éléments qui pourraient être signifiants et ou en tous les cas pourraient donner lieu à une « interprétation littéraire », même si elle reste très fortement aléatoire. Western culture has for principle to consider that a pictorial and or plastic work of art is the result of a first cerebral act and would be in a way that the illustration of this primordial logocratic act which will define with precision what the hand of the artist will have to realize. Spirit of contradiction or simply deviance, I have always proceeded in another way and more particularly for my drawings where I let my hand produce an image almost automatically and above all without thinking. I sign and date the drawing, then I let "the thing" mature for a while before giving it a title which is meant to be one possibility among others and could therefore be quite different if it had been defined on another day. This title more or less takes into account what the drawing and where the plastic work shows elements that could be significant and or in any case could give rise to a "literary interpretation", even if it remains very highly uncertain. Alain Schmitt said Achil Sittman platicien artist, modeller, sculptor in various materials, painter and draftsman since his youth, member of GRAPA (action group of visual artists from Alsace through the visual arts from the University of Science human Strasbourg, teaching art, restoration of works of art for museums in Strasbourg. a rich production of more than 10 000 works protected by the ADAGP (society of Authors in the Graphic and plastic Arts).

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