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Power Plant Print

Serena Hammill

United Kingdom

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ABOUT THE ARTWORK

There are loads of these electrical substations in UK housing estates. As a child, I was very aware of them, but as an adult I'm oblivious. They remind me of being a kid, playing outside and seeing a ball stuck between the railings - it makes me smile. It’s a nod to abstract theory, with three main colours: yellow and blue create green, but I didn't want to lose the white light. I uncluttered the centre to make it inviting, a contradiction to the yellow 'danger of death' signs. I faded the background and emphasised perspective to create depth (pulling leaves forward and adding acute angles to the railings). There is a trisection, the upper branches, the distant light and the close railings. I used yellow and blue to create and diffuse surface tension; the yellow, traverse, from the top left corner, two thirds down the right tree; the blue circles in the background of the top right branches, outwards, anticlockwise, then into the foreground to define the sub-station.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

8 W x 12 H x 0.1 D in

Size with Frame:

13.25 W x 17.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I have no short-term memory, I forget I'm walking downstairs and I fall. My life is a series of snapshots where the emotions I felt in those moments are my memories. They stay with me, nostalgia, roots, within the surroundings. I celebrate the everyday, the ordinary we were born to. So often people make a conscious effort to change the ordinary that they surround themselves with, but to me, they're out of place. How can you truly celebrate life experience unless you acknowledge the ordinary you were born to, that which has shaped you? There is something special about the ordinary. When I start painting I try to block out the detail and layer the form, but the detail draws me in, to a point where I see everything and nothing. It's Ordinary plus ordinary which makes extraordinary. I work freehand, currently with pencil and acrylic paint. I was born and live in Bolton, near Manchester, England.

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