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Prudence Hyman as Megaera in The Gorgon Print

Jonathan Morrill

United States

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About The Artwork

This acrylic painting depicts Prudence Hyman as Megaera, with a whole dozen of rubber snakes coming out of her hair. "The Gorgon" is a 1964 British horror film, directed by Terence Fisher, for Hammer Films. It stars Christopher Lee, Peter Cushing, Richard Pasco, and Barbara Shelley. "The Gorgon" was based on a story submitted to Hammer by their Canadian fan, J. Llewellyn Divine. Barbara Shelley had suggested that she portray the Gorgon herself and wanted to use a wig that - humanely - contained several live snakes. Producer Anthony Nelson Keys felt that, in order to protect the creature's secret identity, two actresses were needed and that the live snakes were unnecessary. For the role of the monster (Megaera), former ballerina Prudence Hyman was recruited, because the monster was supposed to float gracefully like a wraith. After the completion of the film however, Keys regretted his decision and had wished that real snakes were used. Since the gorgon is seen full-face in several shots, the impact of her petrifying glare was lessened by the use of rubber snakes. As Christopher Lee so aptly put it; "The only thing wrong with The Gorgon is the gorgon." The Gorgon was distributed in the United Kingdom by Columbia Pictures/BLC Films on October 18, 1964 where it was supported by The Curse of the Mummy's Tomb. It was released in the United States by Columbia Pictures on February 17, 1965 where it was also supported by The Curse of the Mummy's Tomb. The Gorgon was released in the U.S. on Blu-ray by Mill Creek Entertainment in March 2018 as a double feature along with the Hammer movie, The Two Faces of Dr. Jekyll. The title of the film is misspelled as “The Gorgan” on the spine. Variety wrote "Though written and directed on a leisurely note, 'The Gorgon' is a well-made, direct yarn that mainly gets its thrills through atmosphere. The period storyline is simple and predictable, but John Gilling has turned out a well-rounded piece and Terence Fisher's direction is restrained enough to avoid any unintentional yocks.” The Monthly Film Bulletin found that the monster's appearance was "belated, vague and insufficiently spectacular. Still, it makes a change from vampires, and though the film has little genuine flair for atmosphere it is quite well acted by Richard Pasco and an appropriately blank-eyed, statuesque Barbara Shelley. This acrylic portrait appears in the new publication "A Pictorial History of Hammer Horror" by Eric McNaughton, on page 440. https://webelongdead.co.uk/product/a-pictorial-history-of-hammer-horror/?fbclid=IwAR2SBwzfDOPTSbtUn0YFYHnfHA-DZaU6LffBD6vktW4WfzTCreIX4REowPQ

Details & Dimensions

Print:Giclee on Canvas

Size:16 W x 20 H x 1.25 D in

Size with Frame:17.75 W x 21.75 H x 1.25 D in

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Jonathan Morrill is a Hollywood-based artist. Jonathan Morrill creates artwork that is merely a potpourri of what God, motion pictures, and Mother Nature have already produced. Newmarket, New Hampshire, Provincetown, Massachusetts, Saint Petersburg, Florida, and Hollywood, California, are the four major locations where Jonathan Morrill has studied and honed his illustrative abilities. His acrylic works of many a tinsel-town icon have graced the walls of La-La Land's great haunts, including Hollywood Forever Cemetery and The Hollywood Wax Museum. His Hollywood Icon portraits are exhibited at Creature Features Gallery in Burbank, The Carter-Sexton Gallery in North Hollywood, The Art Parlor in North Hollywood, Crafted in the Port of Los Angeles, The Aquarium of the Pacific in Long Beach, Orland International Airport, The Tonga Hut Tiki Bar in North Hollywood, and Crackskulls Coffee and Books, in Newmarket, New Hampshire. From childhood memories to celluloid dreams, from monsters and Mai Tais to cryptozoology, from forgotten time chords in dusty places to unknown realms hiding in space, Jonathan Morrill creates work born out of intense concentration and effortless thoughtlessness. These works are threaded and infused with colors that change upon the luminance they're given, which make them appear different to every eye.. Contemporaries, instructors, teachers, and collaborators include Yvonne Anderson, Ray Nolin, Jack Barrett, Gregory Gillespie,Harvey Dodd, Lance Rodgers, Frank Dietz, Jonathan Blum, Lee Musselman, Eric October, Robert Gasoi, Paul Gasoi, Steph Gorkii, and Gary Wortzel.

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