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View In My Room

Putting Out Fire with Guzzolene Print

Philip Leister

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ABOUT THE ARTWORK

See these eyes so green I can stare for a thousand years Colder than the moon It's been so long Feel my love enraged It's just the fear of loosing you Don't you know my name You've been so long And I've been putting out fire With gasoline See these eyes so red Red like jungle burning bright Those who feel me near Pull the blinds and change their minds It's been so long Still this pulsing night A plague I call a heartbeat Just be still with me Ya wouldn't believe what I've been through You've been so long Well it's been so long And I've been putting out the fire with gasoline Putting out the fire With gasoline See these tears so blue An ageless heart that can never mend These tears can never dry A judgement made can never bend See these eyes so green I can stare for a thousand years Just be still with me Ya wouldn't believe what I've been through You've been so long Well it's been so long And I've been putting out fire with gasoline Putting out fire with gasoline Well its been so long (Been so long) I've been putting out fire (Been so long) And its been so long Been putting out fire (Been so long) Well it's Been (Been so long) Putting out fire (Been so long) Been so long (So long so long) Been so long (So long so long) Been putting out fire (Been so long so long so long) Been putting out fire (Been so long so long so long) Been so long Been putting out fire Been so long so long so long Yeah putting out fire (Been so long so long so long) Been so long Been so long so long so long Been so long so long so long ‘Cat People (Putting Out Fire)’ by David Bowie Songwriters: David Bowie / Giorgio Moroder "Cat People (Putting Out Fire)" is a song recorded by English singer-songwriter David Bowie, released as the title track of the 1982 film Cat People. Recorded in July 1981, the song was written by Bowie with Italian producer Giorgio Moroder. The 1981 recording has been described as one of "the finest of Bowie's recordings of the 1980s". A re-recorded version of the song, created a year and a half later, appears on the album Let's Dance (1983). The director Paul Schrader engaged Bowie for a theme song in 1981, with Moroder having already recorded most of the music. Bowie was to put lyrics to the main theme. The B-side is a Moroder-only instrumental which featured no input from Bowie. The song itself, in keeping with the dark tone of the film, has some goth rock influences, with Bowie singing in a deep baritone croon while being backed up by a female chorus. Bowie's octave leap on the word "gasoline" has been called "a magnificent moment" and "among the most thrilling moments he ever committed to tape". Because of Moroder's contract, the single was issued by MCA. The full-length 6:45 version appeared on the soundtrack album, and the 12" single, while a 4:08 edited version was made for the 7" release. The single reached No. 26 in the UK, No. 13 in Canada and No. 67 in the US - Bowie's biggest hit there since "Golden Years". It peaked at No. 1 in New Zealand, remaining there for three weeks, as well as in Sweden for four weeks. It was also No. 1 in Norway for seven consecutive weeks, and then returned to the top for a further week. The single was released three separate times by MCA, first in March 1982 with "Cat People" as the A-side, then again two months later with "Paul's Theme" as the A-side, and finally in November 1982 with "Cat People" back on the A-side. Yugoslav-born Hungarian composer Sylvester Levay contributed to the orchestration. In December 1982, Bowie re-recorded the song for his album Let's Dance, released the following year. This version was also released as the B-side to the title track's single release, and performed on Bowie's Serious Moonlight Tour. He had originally planned on using the original version of the song, but Moroder's label MCA Records refused to license it to EMI America. In the re-recorded version of the song, Stevie Ray Vaughan provided the guitar solos and riffs in the song. The song was used in the 1998 film Firestorm. In 2009, the track was used in Quentin Tarantino's film Inglourious Basterds and in 2017, the track was used in the film Atomic Blonde. In 2009, the song was used in a scene of The Office, episode Cafe Disco. Sharleen Spiteri recorded a new version of the song in 2010 which was included on her album The Movie Songbook. David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie (/ˈboʊi/, UK also /ˈbəʊi/ BOH-ee), was an English singer-songwriter and actor. He was a leading figure in the music industry and is regarded as one of the most influential musicians of the 20th century. He was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, with his music and stagecraft having a significant impact on popular music. During his lifetime, his record sales, estimated at over 100 million records worldwide, made him one of the best-selling music artists of all time. In the UK, he was awarded ten platinum album certifications, eleven gold and eight silver, and released eleven number-one albums. In the US, he received five platinum and nine gold certifications. He was inducted into the Rock and Roll Hall of Fame in 1996. Rolling Stone placed him among its list of the 100 Greatest Artists of All Time and named him the "Greatest Rock Star Ever" following his death in 2016. Born in Brixton, South London, Bowie developed an interest in music as a child. He studied art, music and design before embarking on a professional career as a musician in 1963. "Space Oddity", released in 1969, was his first top-five entry on the UK Singles Chart. After a period of experimentation, he re-emerged in 1972 during the glam rock era with his flamboyant and androgynous alter ego Ziggy Stardust. The character was spearheaded by the success of Bowie's single "Starman" and album The Rise and Fall of Ziggy Stardust and the Spiders from Mars, which won him widespread popularity. In 1975, Bowie's style shifted towards a sound he characterised as "plastic soul", initially alienating many of his UK fans but garnering him his first major US crossover success with the number-one single "Fame" and the album Young Americans. In 1976, Bowie starred in the cult film The Man Who Fell to Earth, directed by Nicolas Roeg, and released Station to Station. In 1977, he further confounded expectations with the electronic-inflected album Low, the first of three collaborations with Brian Eno that came to be known as the "Berlin Trilogy". "Heroes" (1977) and Lodger (1979) followed; each album reached the UK top five and received lasting critical praise. After uneven commercial success in the late 1970s, Bowie had UK number ones with the 1980 single "Ashes to Ashes", its album Scary Monsters (and Super Creeps), and "Under Pressure", a 1981 collaboration with Queen. He reached his commercial peak in 1983 with Let's Dance; its title track topped both UK and US charts. Throughout the 1990s and 2000s, Bowie continued to experiment with musical styles, including industrial and jungle. He also continued acting; his roles included Major Jack Celliers in Merry Christmas, Mr. Lawrence (1983), Jareth the Goblin King in Labyrinth (1986), Pontius Pilate in The Last Temptation of Christ (1988), and Nikola Tesla in The Prestige (2006), among other film and television appearances and cameos. He stopped touring after 2004 and his last live performance was at a charity event in 2006. In 2013, Bowie returned from a decade-long recording hiatus with The Next Day. He remained musically active until his death from liver cancer at his home in New York City, two days after his 69th birthday and the release of his final album, Blackstar (2016). Blackstar won British Album of the Year at the 2017 Brit Awards and five Grammy Awards at the 2017 Grammy Awards. Source: Wikipedia "Gas! Petrol! Guzzolene! Listen! Hundreds... thousands of `gallons... as much as you want!" ―Gyro Captain to Max Guzzolene is the name used to refer to gasoline in the Mad Max series. It is used in Mad Max 2, Mad Max: Fury Roadand Mad Max (2015 video game). The term guzzolene seems to have replaced gasoline in the Australian wasteland vernacular. It is used by several characters who are aligned with different groups: Max, Gyro Captain, Feral Kid (as voice-over narration), Wez and an unnamed marauder. The guzz- base of the word that replaces gas derives from guzzle, to greedily drink. Source: Mad Max Wiki

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

16 W x 16 H x 1.25 D in

Size with Frame:

17.75 W x 17.75 H x 1.25 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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