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Using the basic abstract language and material tools of painting a performative set of actions are taken to mark time and experience, to track a chess-like decision making process, like an existential game. This should act as a positive reminder for each of us of the transitory nature of life and bo...
Year Created:
2016
Subject:
Styles:
Medium:
Print, Giclee on Fine Art Paper
Rarity:
Open Edition
Size:
8 W x 10 H x 0.1 D in
Ready to Hang:
No
Frame:
Not Framed
Packaging:
Ships Rolled in a Tube
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Max Presneill
United States
Max Presneill b. 1963. English lives and works in Los Angeles, USA The usually large scale abstract paintings of Max Presneill employ a vibrant and often jarring field of color, embedded with marks, scrawls, erasures and blockages, to question the act of painting and it's relationship to issues of existential intent and obligation, thus leaning towards both a statement of individual presence (and thus a resistance to his own mortality) as much as an oblique political statement. The marks themselves, sourcing from graffiti, art history, accident and design, showcase a myriad of bravura methods of applying paint, in a move and countermove game of suppression and control. Solo exhibitions include The Captain’s Tale at the New Bedford Art Museum, Wish List at Freight & Volume, NYC, Turschlusspanik at Nicodim Gallery, Los Angeles, as well as inclusion in group exhibitions at Kalmar Art Museum, Sweden, Berlin Art Projects, Hilger Contemporary, Vienna, UCity Art Museum, Guangzhou, China, and in both the Yokohama Triennial and 13th Istanbul Biennial
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