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Real Print

Fiza Irwin

Australia

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About The Artwork

This painting was made after the lady in the artwork viewed six ten-minute videos highlighting the horrors behind the facades of society; palm oil & deforestation, ocean plastic, bear bile, circus animals, dairy farming, meat industry. All of those videos were real, and once we have seen the they cannot be unseen.

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Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

The concept of time inspires me. how people have lived through the ages, whom they loved, what they experienced, the myriad of complex emotions they felt. My explorations are an attempt to express humanity under its splendiferous mantle of dark moments, shadows and play, love and deceit, silence and sound, fullness and space, movement and stillness; through the faces and bodies royal in the only true way that counts; their unapologetic, magnificient existence. This passion for life and everything it holds is fading in the times we live in. We are no longer in an age of elegance or fire, but in an age of mass produced fodder. I want my art to help people feel again. And feel glorious. About the Artist: I was born in a little clinic in Dehradun on a wednesday back in ‘85 to two people who have always been my source of strength and creative support. Growing up, I was surrounded by the arts. My beautiful mother, Parveen, was an art teacher at her alma mater at Jesus and Mary Convent Dehradun, and my father is the Grammy nominated scion of the Imdad Khani Gharana; Ustad Shujaat Husain Khan. My brother and I were raised between Los Angeles and New Delhi, and because my parents had no real family support, we were always taken along to the homes of all my parents’ friends pretty much from the time we came in this world. My earliest memories are of ’taash’ parties in Delhi at the homes of illustrious artists and musicians, where gorgeous aging dancers burst into movement under the starry night. Or black tie dinners with scholars in the United States, where everything from science and philosophy to food and colonialism were discussed into the wee hours. My heart has remained with the classics. Beauty moves me, the colours on a beetles back or the fine filigree on a chola bronze, the weave of a persian rug and the pure joy of watching music come to life before me. I want my art to reflect how I feel about this world we live in. I want it to slow time down.

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