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Canvas
16 x 20 in ($138)
White Canvas
White ($160)
8 Views
1
Artist featured in a collection
Junwon Lee’s paintings show the process of considering our limited nature of existence by reconstructing the schematic human body on a flat surface. -K Museum of contemporary art Fragments of life melted in reinterpreted human figures, and explosive energy between abstraction and conception -Art1 I am Junwon Lee who draws a monster named providence with the theme of Totem Monster Totem Monster Series It gives birth to a monster named providence by mingling the perception of life's limitedness, fear and bravery, overcoming and adaptation. And the energy that monster possesses gets back to us to face again with the primitive energy. We have worshiped them for many years. I draw the monster and its scenery in that sense. I work on my pieces by looking at my monster and by getting on their backs to face larger providence and gaze, to resist, or sometimes to accommodate myself, and imagine myself finally being freed. I believe the engraved energy in my drawings exists for real. [ About the Artist ] Junwon Lee, an artist who draws unique monsters with the theme of Totem Monsters, is a contemporary artist who paints a story of things with explosive energies mixed with the limitedness of life, fear and bravery, overcoming and malleability. He is a rising artist with the spotlights who is continuing his art exhibitions at domestic and French stages such as Grand Palace the French national museum, and KMCA(Korean Museum of Contemporary Art.
Giclee on Canvas
16 W x 20 H x 1.25 D in
17.75 W x 21.75 H x 1.25 D in
White
White Canvas
Yes
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South Korea
Junwon Lee’s paintings show the process of considering our limited nature of existence by reconstructing the schematic human body on a flat surface. -KMCA Museum of modern art Fragments of life melted in reinterpreted human figures, and explosive energy between abstraction and conception -Art1 < Totem Monster Series > It gives birth to a monster named providence by mingling the perception of life's limitedness, fear and bravery, overcoming and adaptation. And the energy that monster possesses gets back to us to face again with the primitive energy. We have worshiped them for many years. I draw the monster and its scenery in that sense. I work on my pieces by looking at my monster and by getting on their backs to face larger providence and gaze, to resist, or sometimes to accommodate myself, and imagine myself finally being freed. I believe the engraved energy in my drawings exists for real.
Artist featured by Saatchi Art in a collection
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