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红芯 Redcore Print

Shirong YANG

China

Open Edition Prints Available:
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Fine Art Paper

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10 x 10 in ($40)

10 x 10 in ($40)

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White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

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$120

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

The heart of the orchid has its unique shape. I often imagine myself the size of a bee, hovering near the edge of the petals, peering deep inside to see the immense, sweet-scented heart. This painting, utilizing the "Gongbi" technique, emphasizes precision, detail, and a vibrant color scheme. The ...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Size with Frame:

15.25 W x 15.25 H x 1.2 D in

Ready to Hang:

Yes

Frame:

White

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

Grown up in China, still imbued with rural charm, I traversed through the Cultural Revolution period where the extreme dearth of spiritual and aesthetic richness left me thirsting even more for natural and human beauty. I studied the gongbi technique with the most revolutionary gongbi painting artist of the time: YANG Ruifeng. Through his mentorship, I incorporated many soft touches into the shapes and colors of my compositions. Moreover, I ventured beyond, exploring more audacious color expressions and embracing a freer color splash technique in the background. Then I left the artist scene, engaged in the printing and advertising business, and cocooned myself in family life. Thanks to these years, instead of pursuing a professional artist career and forgetting my artistic roots, I remained dedicated to viewing life and the changes in China through an artist's eyes. I never ceased to paint, with a focus on the natural world—the sole subject that occupies my mind, brimming with diversity and vitality within the serene and ethereal aesthetics of traditional Chinese art.

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