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Reeds in the wind Print

Ellada Saridi

Sweden

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16 x 16 in ($129)

16 x 16 in ($129)

24 x 24 in ($165)

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$279

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ABOUT THE ARTWORK

The movements of thin elegant reed leaves are like a dance, a mysterious rustle is heard over the water. Japanese ink painting, Sumi-e The artwork is signed with red stamp (hanko) in lower corner with artist's personal Japanese name Seirei 星麗– “beautiful star” and the artist's initials E.S. Mounting: backed with a second layer of rice paper The artwork comes with a certificate of Authenticity Materials used: Japanese ink made from soot of pine wood, Japanese watercolors paints (gansai) on Japanese rice paper” gasenshi made from the fibers of mulberry, bamboo and straw. The durability of the preservation of the work guarantees under proper storage conditions: to avoid direct sunlight, to arrange under glass. and to keep the painting away of high humidity. Shipping & Returns will be shipped unframed, rolled in a strong tube Delivery Time: Typically, 10-14 business days for international shipments.

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

16 W x 16 H x 1.25 D in

Size with Frame:

17.75 W x 17.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I was born in Tbilisi (Georgia) and lived in Moscow (Russia). In the early 2000s I came to Japan, where I spent about 10 years studying Japanese art, particularly, sumi-e ink painting. This style, rooted in Zen Buddhism, fascinated me with its expressive lines and abundance of empty space. It took me years to learn how to express my inner life energy with a brush. Inks applied to rice paper cannot be corrected. It means that a single mistake destroys the whole picture, and you have to start from scratch. I do not follow classical sumi-e. Instead, I combine sumi-e with Western art to adapt the Eastern spirit for the Western viewer. My main themes are flowers, birds and landscapes. I put on paper their images created in my imagination. I make my paintings using authentic Japanese and Chinese materials and tools, such as rice paper, (Xuan, Gasenshi, Washi mulberry paper), Japanese black ink, Japanese watercolor (gansai), and special long-haired brushes. I strive to show the beauty of ink shades, the visual effects of its spreading on the paper and create a "picture of the heart" that felt like poetry.

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