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Ritual Menyemprot Kapsul Print

Ahmad Rifqi

Indonesia

Open Edition Prints Available:
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Fine Art Paper

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8 x 12 in ($40)

8 x 12 in ($40)

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ABOUT THE ARTWORK

This time I combine Chinese, Arabic and Greek. Then I brought the campus association and high school class jackets. That Chinese and Arabic letter written are actually random unreadable Chinese-ish and Arabic-ish letter, which are made up of gasps. Work and tradition are also combined, not forgetting the inclusion of the café logo and the station's name. the point of all of that is experimentation of anything within art, limitless, but having many restriction like it should be appealing for me, the standard as weird as possible, and many more.

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

8 W x 12 H x 0.1 D in

Size with Frame:

13.25 W x 17.25 H x 1.2 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Ahmad Rifqi aka Michael Rodion Raul Robenz My name is Ahmad Rifqi Ardian, born in Jakarta, March 12, 1996, currently domiciled in South Tangerang. Bachelor degree at FSRD ITB 2014 - 2019. Artwork does not depend on a particular theme. I pay more attention to the universal issue of what humans do, and from there to give something different to this life through art style. However, my art style has evolved, and you could say that evolution is similar to the history of world art: in college, the universality that was concerned with was a very general one, namely the universe. I intend to simplify the human view of seeing life through art in the form of painting as a medium. It is a creative process that occurs throughout college until graduation, namely abstraction. This evolution really represents the evolution from romanticism, impressionism, to de stijl. After graduation, what is realized is relevance. Are abstractions and the universe relevant to me and life? Modernism is finally faced with rejection, namely Post-modernism. Abstract painting that became my previous style is not satisfying enough to talk about more relevant life problems. That's where my current art style was born, returning to the figurative and doing semiotics-plays to it, like New Realism and Neo-Expressionism.

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