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"At this point, it doesn't matter if you're looking at a model, a copy, or a copy of a copy.” Notes on SET THEORY by Dany Ruiz: What kind of contribution to the medium could arise from local-global dialogues, subject-context, history-tradition, and media-forms? - Gerardo Mosquera: Every act of subversion has a necessary component of deception. - Francis Alÿs: From others and oneself. It's better to ask for forgiveness than permission. (Havana, February 2006. Francis Alÿs: An account of a negotiation. An investigation into the parallel activities of performance and painting) - Cuauhtémoc Medina to Dany Ruiz on December 23, 2019: "I'm afraid you're creating a world of ideas that have no answer. My place is to see your work and think about it. You made a request to Francis Alÿs. I forwarded it, but he wasn't interested. I appreciate your messages, but send me your work instead of enclosing yourself in a sea of complaints about human quality, which have a circular sense." - Marysol Nieves from CHRISTIE'S to Dany Ruiz on January 12, 2021: "The project you describe below and attach sounds fascinating in terms of expanding the conceptual framework around Francis Alÿs's work." - Reid Cashour from PHILLIPS to Dany Ruiz on February 22, 2021: Our specialists noted that "since it is a very recent painting (2020), we recommend preserving it at this time, as there are no comparable works from this period/series that have been offered in the secondary market."
2020
Giclee on Canvas
12 W x 16 H x 1.25 D in
13.75 W x 17.75 H x 1.25 D in
White
Black Canvas
Yes
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El Salvador
He is an ANARTIST. Today, in the gardens of the Centro Cultural de España in El Salvador, the work "Finito" rests. The epitaph is written by Luis Camnitzer; the marble bears the words inscribed about Dany Ruiz: "He died being only an idea and long before becoming visible." Dany Ruiz's work is part of the heritage of the Museo de Bellas Artes de Chile and the Louvre Museum.
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