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Satellite Image of Sakaar #8: Cain's Iron Flow Print

Philip Leister

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ABOUT THE ARTWORK

Sakaar is the fourth planet from the star Tayo, a member of the grouping of eight major heavenly bodies that comprise the Tayo Star System within the Fornax Galaxy. Sakaar is the only planet within the Tayo Star System known to be inhabited by sentient life. The planet and its moons are currently inhabited by four main sentient species, although the question of which of these species is actually native to the planet is a debated topic among the inhabitants. In addition, various other off-world species have become stranded on the planet's surface in recent years. Sakaar is considered a savage planet that is full of extremes. However, it is the most geographically diverse planet in the Tayo Star System. Outer regions once included great deserts with incredible rock formations, tropical paradises at the foothills of steaming volcanoes, mountainous arctic wastelands, great archipelagos, lakes, and oceans. Sakaar exhibits vast expanses of untamed wilderness populated by a great variety of dangerous non-sentient creatures, both large and small. The planet is orbited by two satellites: Aakar and Sabyr - the Broken Moon. During the height of the Spike War which plagued Sakaar for decades, a cosmic vortex opened in the planet's orbit. Upon the vortex's first appearance, it emitted a powerful blast of energy that shattered the moon Sabyr and caused massive earthquakes and tidal waves on Sakaar's surface. At first, the inhabitants of Sakaar, already beleaguered by the Spike War, viewed the arrival of the vortex as a sign of the end of their world. However, in time, the people of Sakaar learned that the vortex brought valuable detritus to their planet in the form of off-world technology and extraterrestrial species. Naming it the Great Portal, the inhabitants soon came to view the vortex as a boon rather than a curse. The inhabitants of Sakaar have been unable to determine the cause of the Great Portal's arrival, but they theorize its first appearance was related to the Spikes, extraterrestrial invaders whose arrival on Sakaar triggered the Spike War. The Great Portal sporadically disappears and reappears, depositing technological detritus and exotic alien species from all corners of the universe onto the planet's surface upon reopening. The inhabitants have been unable to track its movement or fully explain its seemingly random comings and goings.[citation needed] The planet was destroyed by Galactus after he easily defeated Skaar Son of Hulk and his own herald Silver Surfer. However, as a consequence of the reemergence of the Time Stone in the universe, Sakaar was restored. The gem rested deep beneath the planet's mantle until being recovered by the Super-Skrull. The rebuilt Sakaar fell under the reign of the bloodthirsty Warlord, who conquered over a hundred tribes and united them into a single dominant faction. He regularly forced slaves and minor clans to battle for survival in a barbaric trial known as the Gauntlet. The Doka'abi sent the Hulk a call for her, which was heeded by his successor, Amadeus Cho, so he could fight in the Gauntlet as their champion. The Hulk's intervention allowed the Doka'abi to become the first clan to make it past the first round of the Gauntlet. For the fifth and final round, the Hulk confronted the Warlord himself. The tyrant was defeated, and then killed by the Doka'abi headman Chak while he was down. The Hulk left Sakaar after helping the Doka'abi build a fortified village to help rebuild civilization. Source: Marvel Database Planet Hulk is a Marvel Comics storyline that ran primarily through issues of The Incredible Hulk starting in 2006. It dealt with the Marvel heroes' decision to send the Hulk away, his acclimation to and conquest of the planet where he landed, and his efforts to return to Earth to take his revenge. There was also a special Planet Hulk: Gladiator Guidebook publication by Anthony Flamini and the storyline's main writer Greg Pak, similar to the Official Handbook of the Marvel Universe detailing the characters, races and cultures within the storyline. Elements from the storyline have been adapted into other media, including an animated film of the same name, as well as the live action film Thor: Ragnarok. Juggernaut (Cain Marko) is a fictional character appearing in American comic books published by Marvel Comics. Created by writer Stan Lee and artist/co-writer Jack Kirby, he first appeared in X-Men #12 (July 1965) as an adversary of the eponymous superhero team. Since then, he has come into conflict with other heroes, primarily Spider-Man and the Hulk. Cain Marko is a regular human who was empowered by a gem belonging to the deity Cyttorak, becoming a literal human juggernaut. He possesses superhuman strength and durability, and is virtually immune to most physical attacks; his helmet also protects him from mental attacks. Although not a mutant, Juggernaut has been featured as a prominent member of the Brotherhood of Mutants. He is also the stepbrother of Professor X. Since his debut during the Silver Age of Comic Books, the character has appeared in over five decades of Marvel publications, featuring prominently in the X-Men titles and starring in two one-shot solo publications. The character has also been associated with Marvel merchandise including clothing, toys, trading cards, animated television series, video games. Vinnie Jones played Juggernaut in the 2006 film, X-Men: The Last Stand, while Ryan Reynolds did motion capture and voice acting for the CGI character in the 2018 film, Deadpool 2. In some reinterpretations (most notably the X-Men film series), Marko is a mutant who was born with his powers, while in others they simply come from his costume. In 2008, Juggernaut was ranked 188th on Wizard's list of Top 200 Comic Book Characters. In 2009, Juggernaut was ranked 19th on IGN's list of Top 100 Comic Book Villains. IGN also ranked him as Spider-Man's 22nd greatest enemy. Source: Wikipedia

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

16 W x 12 H x 1.25 D in

Size with Frame:

17.75 W x 13.75 H x 1.25 D in

SHIPPING AND RETURNS
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Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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