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Original Abstract Landscape Painting by Fernanda Morales Tovar
Original Abstract Landscape Painting by Fernanda Morales Tovar
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Original Abstract Landscape Painting by Fernanda Morales Tovar
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Original Abstract Landscape Painting by Fernanda Morales Tovar
Original Abstract Landscape Painting by Fernanda Morales Tovar
Original Abstract Landscape Painting by Fernanda Morales Tovar
Original Abstract Landscape Painting by Fernanda Morales Tovar
Original Abstract Landscape Painting by Fernanda Morales Tovar

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"Shadow concave territories" Fine Art Print

Fernanda Morales Tovar, Mexico

$45 USD

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
10 x 10 in ($45)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Concave territories of shadows It is a landscape scene that indicates the displacement of characters as silhouettes

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

My artistic research focuses on the permanent dialogue of the artist with their work and environment, with an emphatic reflection from the pictorial. On canvas, through effective scenes and visual montages, I explore the analogies and dialectics existing in the environment that promote the conjunction of nature and urban devices in everyday life. Through a visual archeology based on the interpretation and proposal of signs of the intersection of spaces, the human beings, the stories, the ruins and the landscape; by optical distortions of the painting. This seeks to be an instrument that makes possible a different look at reality, to “contemplate” it, under a different staging; that arises from the impulse to confront our immediate surroundings.

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