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"Sidewalk Sinners" Print

Maxwell Torgersen Ii

United States

Open Edition Prints Available:
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Fine Art Paper

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10 x 10 in ($100)

10 x 10 in ($100)

16 x 16 in ($140)

24 x 24 in ($240)

34 x 34 in ($400)

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

This painting is from a collection called "Waiting for Icarus." The series is focused on people facing decision points in their lives. Either by choice or circumstance, they find themselves confronted with a change or a realization that could define them for that moment, or for the remainder of thei...

Year Created:

2022

Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I am a self-taught figurative painter working in oil paint. My focus on figurative art is based upon the limitless nuances of facial expression and the language of human movement. I am fascinated by human behavior. I find joy in depicting both purposeful movement and ambiguous stillness in my interpretation of figures and faces. I enjoy setting the stage, creating the characters, and telling the story. The inescapable transience of time is at the center of much of my art. I am inspired by the brevity of a glance, a gesture, a facial expression, or of human scenarios not likely to be repeated. I paint to preserve moments that I consider significant even though they initially seem to lack meaning. Some of my work is cynical and opinionated. I don’t ask that the viewer share my opinions, only that they look. Teeth-gritting is welcome. The motivation for creating it is still fresh in my memory, and everyone’s struggle continues. I both hate and love that a painting does not spring fully formed from the mind of the artist directly to the canvas. Fierce battles with my inner critic and the exhilaration of infrequent victory inspire me. For me, painting is standing in the solitary kingdom of the studio while narrating silent stories for the outside world.

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