52
"Someone's Winter Hearth" Fine Art Print
$120
Material
- Archival acid-free canvas
- Laminated with protective lustre surface
- Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Size
Select a Canvas Wrap
Frame
Archival-grade Materials
Fade-resistant Inks
Professionally Printed
Artist Recognition
ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS
It was winter, yet it was summer in their breasts, and the smoke reminded her of long evenings, and of cognac, and of her grandfather's gristle against her cheek and the smoke reminded him of a seaside Bacchanalia, clams, and the furtive fumbling of thrilling adolescence.
Year Created:
2013
Subject:
Styles:
Medium:
Print, Giclee on Canvas
Rarity:
Open Edition
Size:
16 W x 20 H x 1.25 D in
Ready to Hang:
Yes
Frame:
Not Framed
Canvas Wrap:
Black Canvas
Packaging:
Ships in a Box
Delivery Cost:
Calculated at checkout.
Delivery Time:
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Returns:
All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.
Handling:
Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:
Printing facility in California.
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Need more information?
Working between New York and Paris, Richard T Scott is known for his post-contemporary figurative paintings and his writing on aesthetic theory. Richard designs coins and medals for the U.S. mint.
His work is part of collections worldwide such as the Georgia Museum of Art, the New Britain Museum of American Art, MEAM, the Museum of Contemporary Art Sicily, former British Arts Minister Alan Howarth of Newport, Prince Morad El Hattab, and Robert C. Kennedy Ph.D. and has exhibited at Le Grand Palais in Paris, Palazzo Cini in Venice, the Museum of New Art in Detroit.
"Whether it is in his portraits, his compositions, or either still in his interiors, Richard T. Scott always tries to produce, on his spectators, a certain effect of strangeness, or at least, something like a feeling of longing. That's why, maybe, his compositions are populated for the greater part with mirrors in which appear, not simply beings just like those who face us - but of real spectres having the function to destabilize our glance while giving the fourth dimension for us to see" - by Frederic Charles Baitinger, Critic, Artension
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