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View In My Room
Canvas
16 x 20 in ($125)
Black Canvas
White ($160)
654 Views
0
Ready to hang, edge is canvas wrapped, and painted black to emphasize the colors of the painting. Wired to be hung any side up (4 wires on the back). It is a lighthearted impression of windows washed with sunlight, fresh new greens of spring. I used acrylic paints, oil pastels and fine black marker to achieve variety in line and texture. I like ambiguity of message and versatility of display. There is a bit of hidden ambiguity in this painting as well. Large green rectangular shape in the center can be read as either a doorway or a window. Runny yellow streaks could be sun rays "melting" into liquid to wash away the worries and tiredness of the winter, or could be taken literally as splashes of water on the glass of the windows. I wanted to paint something that could allow for many different interpretations. What is important to me is not the literal message, but rather a "vibe" that a viewer gets from my work. I hope when viewers look at this painting they get a vibe of fresh air in the lungs, breeze of air on the skin, sunshine that is not brutal like on some hot summer days, but still gentle and full of new energy, and new green leaves and plants that are starting to show the freshest colors you will see in a year. I called it "Spring cleaning" because of the connection I see between what nature and the human dwellings go through in the Spring. We clean the windows, clean our dwellings, get rid of literal and more metaphorical "grime and dirt" from out lives with hopes for new, fresh, better beginnings.
2013
Giclee on Canvas
16 W x 20 H x 1.25 D in
17.75 W x 21.75 H x 1.25 D in
White
Black Canvas
Yes
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"I am an abstract experimental artist by choice. I can paint and draw realistically, but I like the freshness of colors and the ambiguity of interpretations that abstract art allows. I like having a fresh new vibe in a space and questions that are not fully answered. Maybe that is why I'm drawn to testing and trying materials and combinations that are not being widely used (fabrics, vinyls, recycled materials), and making art that allows for versatility in both display and interpretation. When I paint or draw colors and patterns are my ways of preserving the energy I sense while making art in hopes to grasp it and transmit it the viewers. I often work while listening to music, so the brushstrokes or lines assume the rhythm and the flow of the music. They happen fast and very naturally. I almost never know what I am going to paint or draw when I am in front of a blank canvas. I like making fast bold gestural lines, that have movement and rhythm, and colors that are bold and nonapologetic. I am still to overcome my general avoidance of neutral colors and soft transitions of colors. I grew up in St.Petersburg, Russia, a city of beautiful architecture and many cloudy days, that is affectionately called by some "the city of hundreds of beautiful grays". So I had quite a bit of greys and neutrals while growing up, enough to last for many years. That is one of the reasons that for over a decade I have avoided using neutrals and soft neutrals in my art." Tatiana L. Sougakova is a Russian born American non-representational artist. She is classically trained in restoration arts, but now works in a non-representational, experimental style. She is interested in exploring different materials and techniques (translucent vinyl, fabrics, recycled materials) to make art that is visually versatile and encourages physical and emotional participation. She has always been drawn to making art which creates a sense of excitement and togetherness for people of any ages and backgrounds. She has exhibited locally, nationally, and internationally for over 10 years. In addition to showing her work in traditional gallery settings, she has shown her outdoor art installations in New Jersey, Connecticut, and New York City as a part of the Figment Art Festival on Roosevelt Island (2018) and Governor’s Island (2019). Her art is in private collections in US, Europe and Asia.
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