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Srebrenica Print

Agostino Bergo

Italy

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About The Artwork

"It would be better that it was not quite as well today is our Srebrenica Nothing of living nor dead she can no longer live on. Under a leaden sky to lead the air No one has ever learned how to get into the lungs. Flees from her everything that has legs which can and knows where to flee " (Abdulah Sidrain: "Suze Majki Srebrenice") Pictorial cycle: “Bosnia” © Agostino Bergo 2011-2014 Title: “Srebrenica” © Agostino Bergo 2010-2014. Author: Agostino Bergo. Technique: Aacrylic on canvas. Measurements: : 150 x 150 cm. Creation date: fromn October 2010 to May 2013. Perpetrator:Agostino Bergo. Project Development: Agostino Bergo. Artistic Project Development: Agostino Bergo. Texts and exegesis Development: Agostino Bergo. Artistic Developmant: Agostino Bergo. Intellectual development: Agostino Bergo. Poses / artistic composition development: Agostino Bergo. Preparatory photos: Ligheia Nicolosi. Reportage on the preparation of the work: Ligheia Nicolosi. Documentary consulting: Roberta Biagiarelli. Historiographical advice: Roberta Biagiarelli. Authorization for the publication of video:Roberta Biagiarelli. Photographs definitive work in the various phases:Ligheia Nicolosi, Danilo Fracassa, Nathalie Pacheco Rodriguez Texts translation: Elena Giuliani. Story tellers called “I Massacri”: Roberto Bonizzoni. Reading “I Massacri”:Roberta Biagiarelli. Digital Extrapolation of frames from historical films: Roberto Bonizzoni. Creation date: from 20.05.2011 to 05.05.2013. Interpretation of "Imagine" (J. Lennon) for "The Song of Srebrenica" Draga Dzinic. Video “Il Canto di Srebrenica”, Nis (SRB), il 10.08.2013: Agostino Bergo. Theme: Allegory of Peace in Europe since the collapse of the Berlin Wall today. System composition: Revision of the Quadriga on top of Brandemburger Tor (Berlin – D).

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Bergo Agostino was born in Desio (Mi) on 10th June 1983 at 8.00 p.m. to Bergo Alessio and Parisi Maria.After the caesarean and the baptism officiated by the same gynaecologist M. Meroni, it had been necessary the prompt displacement to the Niguarda Hospital, since the baby suffered from bifid lumbosacral backbone which had never been diagnosed during the antenatal phase. The bifid lumbosacral backbone pathology belongs to the group of malformations which present defects in the closing of the neural tube. It is a congenital malformation of the marrow, of the close tissues and of the bony tissues that usually protect these structures. This causes a tumefaction on the median posterior line, which results to be covered only by a thin membrane instead of a regular cutis. The tumefaction contains an variable quantity of cerebrospinal fluid. In the morning of 10th June Agostino was subjected to a thorny reconstructive operation by the neurosurgeon P. Versari. He will leave the hospital after many hours of physiotheraphy, manipulations and another baptism on 17th July 1983. The complexity of the damages caused by the malformation required many visits at the Niguarda children's surgery ward. Doctor Perlasca was responsible for the urological dysfunctions, while Jenny dealed with the physiotheraphy. In september 1985, after the brother Abramo's birth in May, Agostino restarted to “walk” with callipers extended from the foot to the thigh, thanks to the Reggio Emilia C.O.E. technicians. Agostino's childhood was passing away through operations to lengthen the tendons and to correct the equine-feet position; the operations were performed by Doctor A. Ferrari at the Parma Hospital. The therapeutic turning-point happenned in 1991 when Agostino submitted to the Hilizarov technique with Doctor F. Federzoni. For several mounths Agostino had 18 surgical wires held toghether by a cage, fixed from the feet tip to the knee. Ater the operation, the callipers slowly regressed up to under the knee, and swimming replaced the physiotheraphy. The introduction to social relationships at school made Agostino a reserved, withdrawn and chronically gloomy child. Long-lasting periods of solitude brought him to spend his time carefully observing insignificant details and systematically reproducing them on any sheet. The choice of attending the P. G.

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