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Original Modernism Abstract Painting by Thomas Hammer
Original Modernism Abstract Painting by Thomas Hammer
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Original Modernism Abstract Painting by Thomas Hammer
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Original Modernism Abstract Painting by Thomas Hammer
Original Modernism Abstract Painting by Thomas Hammer
Original Modernism Abstract Painting by Thomas Hammer
Original Modernism Abstract Painting by Thomas Hammer
Original Modernism Abstract Painting by Thomas Hammer

27

"Sterculia khasiana (52" x 42")" Fine Art Print

Thomas Hammer, United States

$120

Material

  • Archival acid-free canvas
  • Laminated with protective lustre surface
  • Hand-stretched over 100% renewable solid pine stretcher bars, 1.25" thick
Canvas

Size

16 x 20 in ($120)
Select a Canvas Wrap
Black Canvas

Frame

No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

Artist Recognition

ABOUT THE ARTWORK

DETAILS AND DIMENSIONS

SHIPPING AND RETURNS


Ink on paper

Year Created:

2015

Subject:

Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 20 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

Black Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Contact us.

Need more information?

Contact us.
Thomas Hammer

About the Artist

Thomas Hammer

United States

Thomas Hammer (b. 1985) is NYC based painter known for his ink works on paper and acrylic paintings on canvas.

His ink works are inspired by the spontaneity and vim of post-war action painting, but employ a unique vocabulary of mark making. He creates a sense of depth through variety of textures that vary between smooth and flowing and staccato and rhythmic. The intent is to harness, rather than let loose, energy.

Thomas’ acrylic paintings are built in layers. The first few accrue with gestural flourish and become more deliberate as the composition emerges. Each layer interacts with the one before it, obscuring some of the canvas beneath it while adding texture, color, and complexity to the painting. The end result is an artifact of the process but it is also a constructed reality, akin to a carefully composed photograph that flattens three dimensional space to a single plane.

Recognition:

  • Featured in One to Watch

  • Featured in the Catalog

  • Showed at the The Other Art Fair

  • Artist featured in a collection

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