53 Views
4
View In My Room
Fine Art Paper
8 x 12 in ($40)
White ($80)
53 Views
4
From a series of paintings inspired by 3D Blender models, manipulated with adobe illustrator and combined with free-flowing organic oil pastel sketches. . The creation of AI artworks (for example dall-e pro) led me down a rabbit hole of a not so distant future where AI generated paintings outperform human works, not just in an illustrative way but in the form of conceptual ability and abstraction. This series of paintings is my attempt to work collaboratively with computer generated forms to depict organic/glitchy materials in a very human way while imagining a future where collaboration with AI is possible in a more physical medium, like oil paint, and thinking about what that future might look like.
2022
Giclee on Fine Art Paper
8 W x 12 H x 0.1 D in
13.25 W x 17.25 H x 1.2 D in
White
Yes
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United Kingdom
James D. Hopkins (b.1994, Cardiff) is an artist living and working in London. He has exhibited in London, various locations around the UK as well as in Madrid, New York and Florida and in 2018 was an October resident at chaNorth Artist Residency, Upstate New York. James’ work focuses on the asymmetrical and absurd, exploring cultish iconography and performative combat. Consuming an abundance of prolific online media which is absorbed and regurgitated into a mesh of over-saturated grotesqueness; combining humour with a feeling of unrelenting dread. Paintings. Characters and installations which are aesthetically alarming, repetitive, nostalgic humorous and unsettling, grounded in the idea of Kayfabe; a professional wrestling term describing staged events portrayed as if they were real. He works with costume, painting, performance, video, sculpture and installation, often combining these media simultaneously. His alter-ego Deadboy the Kid is a member of DANKCollective, a London art collective who focus on the absurdity, humour and violence of post-irony culture.
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