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Stupidity Is Contagious Print

Philip Leister

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ABOUT THE ARTWORK

Stupidity is a lack of intelligence, understanding, reason, or wit. It may be innate, assumed or reactive. The word stupid comes from the Latin word stupere. Stupid characters are often used for comedy in fictional stories. Walter B. Pitkin called stupidity "evil", but in a more Romantic spirit William Blake and Carl Jung believed stupidity can be the mother of wisdom. The root word stupid, which can serve as an adjective or noun, comes from the Latin verb stupere, for being numb or astonished, and is related to stupor. In Roman culture, the stupidus was the professional fall guy in the theatrical mimes. According to the online Merriam-Webster dictionary, the words "stupid" and "stupidity" entered the English language in 1541. Since then, stupidity has taken place along with "fool," "idiot," "dumb," "moron," and related concepts as a pejorative for misdeeds, whether purposeful or accidental, due to absence of mental capacity. Stupidity is a quality or state of being stupid, or an act or idea that exhibits properties of being stupid. In a character study of "The Stupid Man" attributed to the Greek philosopher Theophrastus (c. 371 – c. 287 BC), stupidity was defined as "mental slowness in speech or action". The modern English word "stupid" has a broad range of application, from being slow of mind (indicating a lack of intelligence, care or reason), dullness of feeling or sensation (torpidity, senseless, insensitivity), or lacking interest or point (vexing, exasperating). It can either imply a congenital lack of capacity for reasoning, or a temporary state of daze, or slow-mindedness. In Understanding Stupidity, James F. Welles defines stupidity this way: "The term may be used to designate a mentality which is considered to be informed, deliberate and maladaptive." Welles distinguishes stupidity from ignorance; where stupidity means one must know they are acting in their own worst interest in that it must be a choice, not a forced act or accident. Lastly, it requires the activity to be maladaptive, in that it is in the worst interest of the actor, and specifically done to prevent adaption to new data or existing circumstances." Otto Fenichel maintained that "quite a percentage of so-called feeble-mindedness turns out to be pseudo-debility, conditioned by inhibition ... Every intellect begins to show weakness when affective motives are working against it". He suggests that "people become stupid ad hoc, that is, when they do not want to understand, where understanding would cause anxiety or guilt feeling, or would endanger an existing neurotic equilibrium". In rather different fashion, Doris Lessing argued that "there is no fool like an intellectual ... a kind of clever stupidity, bred out of a line of logic in the head, nothing to do with experience." Source: Wikipedia

DETAILS AND DIMENSIONS
Print:

Giclee on Fine Art Paper

Size:

6 W x 12 H x 0.1 D in

Size with Frame:

11.25 W x 17.25 H x 1.2 D in

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I’m (I am?) a self-taught artist, originally from the north suburbs of Chicago (also known as John Hughes' America). Born in 1984, I started painting in 2017 and began to take it somewhat seriously in 2019. I currently reside in rural Montana and live a secluded life with my three dogs - Pebbles (a.k.a. Jaws, Brandy, Fang), Bam Bam (a.k.a. Scrat, Dinki-Di, Trash Panda, Dug), and Mystique (a.k.a. Lady), and five cats - Burglekutt (a.k.a. Ghostmouse Makah), Vohnkar! (a.k.a. Storm Shadow, Grogu), Falkor (a.k.a. Moro, The Mummy's Kryptonite, Wendigo, BFC), Nibbler (a.k.a. Cobblepot), and Meegosh (a.k.a. Lenny). Part of the preface to the 'Complete Works of Emily Dickinson helps sum me up as a person and an artist: "The verses of Emily Dickinson belong emphatically to what Emerson long since called ‘the Poetry of the Portfolio,’ something produced absolutely without the thought of publication, and solely by way of expression of the writer's own mind. Such verse must inevitably forfeit whatever advantage lies in the discipline of public criticism and the enforced conformity to accepted ways. On the other hand, it may often gain something through the habit of freedom and unconventional utterance of daring thoughts. In the case of the present author, there was no choice in the matter; she must write thus, or not at all. A recluse by temperament and habit, literally spending years without settling her foot beyond the doorstep, and many more years during which her walks were strictly limited to her father's grounds, she habitually concealed her mind, like her person, from all but a few friends; and it was with great difficulty that she was persuaded to print during her lifetime, three or four poems. Yet she wrote verses in great abundance; and though brought curiosity indifferent to all conventional rules, had yet a rigorous literary standard of her own, and often altered a word many times to suit an ear which had its own tenacious fastidiousness." -Thomas Wentworth Higginson "Not bad... you say this is your first lesson?" "Yes, but my father was an *art collector*, so…"

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