16 Views
1
View In My Room
Canvas
12 x 16 in ($190)
White Canvas
White ($135)
16 Views
1
From the early Spring, at the start of Fiddlehead season until late fall, a group of artists gather to paint en plain air along the Connecticut River at 5 PM. The sites change, but we happily tumble down sandy slopes and trek through woods and fjord streams to get to a designated spot. Loaded down with paints, canvases, brushes and the requisite thermos of something to drink, snacks to share, we quickly set up and grab the last three hours of the daylight. I start creating with simple brush strokes and fill my canvas as fast as I can. I continually spray water to keep the paint moist and move the color around with large brushes and palette knives. Only at the end do I bring in some detail with finer brushes, and tools, often using sticks or a bit of shell found right there under my feet. I hope my viewers feel the open air, quieting night and deep pleasure.
2021
Giclee on Canvas
12 W x 16 H x 1.25 D in
13.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
Ships in a Box
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Printing facility in California.
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United States
Like many artists I see potential art materials in many things beyond traditional art making mediums, tools and supports. I use a variety of homemade tools to carve extra thick watercolor paper made by Strathmore at their old mill in Turners Falls. Color is added with paint, powders and pencils. I spend at least two or three months on each of my carvings. I find the work to be meditative and compelling, exciting at times, difficult at others, but a journey that I feel grateful to be on. I am always learning more and more about our precious nature. I hope you enjoy seeing my work and feel a little bit different the next time you take a walk in nature. I also create using watercolor and acrylic paintings using traditional supports and materials. I have been interested in natural forms for as long as I can remember. I especially love flowers, sticks, nests, birds, feathers and objects I find on my daily walks along the trails and rivers near my home. My interest peaks as natural objects all around us begin to take on unusual characteristics such as twisted leaves, partially eaten pine cones, leaves trampled and imprinted in the mud with ice forming and concealing, scrolled bark. To me, nature become truly magnificent as objects we enjoy in their full beauty begin to mature and age. It is the life cycle of nature that pulls at my artistic senses. I have a small museum of natural things I collect and friends have given to me through the years. At the start of a new project, I spend some time rearranging and studying some of the objects, often finding my next subject. Sometimes on a walk I see something that sparks a new idea. I often begin with a few sketches, arranging and rearranging things until I am eager to start working. I use the sketches as a reference point if needed, but I prefer to just start carving contour lines directly into the paper. I add a variety of powders, graphite, watercolors and colored pencils onto the carved surfaces, staying open to new possibilities as my work evolves.
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