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View In My Room

Sunset On the Banks of the Connecticut River, Hadley, MA Print

Jan Ruby-Crystal

United States

Open Edition Prints Available:
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Canvas

Canvas

Fine Art Paper

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16 x 12 in ($190)

16 x 12 in ($190)

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White Canvas

White Canvas

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White ($135)

Black ($135)

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$190

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

From the early Spring, at the start of Fiddlehead season until late fall, a group of artists gather to paint en plain air along the Connecticut River at 5 PM. The sites change, but we happily tumble down sandy slopes and trek through woods and fjord streams to get to a designated spot. Loaded down w...

Year Created:

2021

Subject:
Medium:

Print, Giclee on Canvas

Rarity:

Open Edition

Size:

16 W x 12 H x 1.25 D in

Ready to Hang:

Yes

Frame:

Not Framed

Canvas Wrap:

White Canvas

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Like many artists I see potential art materials in many things beyond traditional art making mediums, tools and supports. I use a variety of homemade tools to carve extra thick watercolor paper made by Strathmore at their old mill in Turners Falls. Color is added with paint, powders and pencils. I spend at least two or three months on each of my carvings. I find the work to be meditative and compelling, exciting at times, difficult at others, but a journey that I feel grateful to be on. I am always learning more and more about our precious nature. I hope you enjoy seeing my work and feel a little bit different the next time you take a walk in nature. I also create using watercolor and acrylic paintings using traditional supports and materials. I have been interested in natural forms for as long as I can remember. I especially love flowers, sticks, nests, birds, feathers and objects I find on my daily walks along the trails and rivers near my home. My interest peaks as natural objects all around us begin to take on unusual characteristics such as twisted leaves, partially eaten pine cones, leaves trampled and imprinted in the mud with ice forming and concealing, scrolled bark. To me, nature become truly magnificent as objects we enjoy in their full beauty begin to mature and age. It is the life cycle of nature that pulls at my artistic senses. I have a small museum of natural things I collect and friends have given to me through the years. At the start of a new project, I spend some time rearranging and studying some of the objects, often finding my next subject. Sometimes on a walk I see something that sparks a new idea. I often begin with a few sketches, arranging and rearranging things until I am eager to start working. I use the sketches as a reference point if needed, but I prefer to just start carving contour lines directly into the paper. I add a variety of powders, graphite, watercolors and colored pencils onto the carved surfaces, staying open to new possibilities as my work evolves.

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