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10 x 10 in ($40)
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This piece reminds me of the deep, introspective landscape work of Caspar David Friedrich. I’m always surprised when I see the influence of historical work in my paintings. It gives me the feeling that you can sort of absorb technique or aesthetic through osmosis. I’m constantly gobbling up images of contemporary and historical work. Yet, my process is my process and to make work that Is truly mine, I have to start in a way that prohibits me from knowing how the work will end up. I use a lot of smaller canvases as palates to build up texture and interesting color mixtures. This particular canvas became a palate for rolling printing ink, which gives you that deep, black landscape.
Print:Giclee on Fine Art Paper
Size:10 W x 10 H x 0.1 D in
Size with Frame:15.25 W x 15.25 H x 1.2 D in
Frame:White
Ready to Hang:Yes
Packaging:Ships in a Box
Delivery Time:Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
Handling:Ships in a box. Art prints are packaged and shipped by our printing partner.
Ships From:Printing facility in California.
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United States
David Aaron Smith is a 34 year old painter, sculptor, and installation artist from rural Louisiana. He’s best known for the past eight years of his career where he founded Villa Anita in Death Valley, an architectural sculpture museum that invited visitors to stay overnight in “livable sculptures” built almost entirely from repurposed materials. A mixture of installation and performance art, Villa Anita in Death Valley has become a stalwart of ongoing Southern California Junk Dada, and most of the work you see there was made by Aaron. You may have seen more of Aaron’s work in solo and group shows in different parts of California. In the fall of 2019, he took on one of his most ambitious projects for a solo show at Gardenville Station in San Francisco. He spent a week with fellow artist, Katelyn Doherty, and filmmaker, Robin Malo, interviewing people from the Bayview Neighborhood, collecting repurposed and discarded material from that same area, and building sculptural portraits of the sitters. The result became a multimedia portrait of a whole community that is current being eroded away by gentrification and the prospect of bringing in more valuable residents.
Artist featured by Saatchi Art in a collection
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