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View In My Room
Canvas
16 x 20 in ($132)
Black Canvas
White ($160)
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Exhibited: M.A.D.S Milano 21.05.21 - 31.05.21 The exhibition at M.A.D.S Milano is called Phìlo-Poèm which translates as ‘Lover of creation’. I love the process of creating art, it gives me headspace, it heals, it challenges, it soothes, it is the ultimate in self-expression. As much as I love the finished artworks, I know that they are meant for someone else. If my selfish act is the creation, then it is the parting that is the unselfish act. I know this because my art makes me feel good because I don’t stop painting it does. If an artwork doesn’t make me feel the way I want the viewer to feel, then it is not finished. My piece ‘Sunshine Days are Coming’ has swaths of yellow (optimism) and white (purity) over sky and deep blue (calming). It’s accompanied by a poem that describes the childhood memories I was recalling whilst painting. I knew I wanted to create a painting filled with optimism (yellow), but to get to that point of pure optimism, which, let’s face it, is hard to arrive at after the year we’ve had, I had to think with the purity (white) of a child, hence the memories. Optimism through even the darkest days that ‘Sunshine Days are Coming’
2021
Giclee on Canvas
16 W x 20 H x 1.25 D in
17.75 W x 21.75 H x 1.25 D in
White
Black Canvas
Yes
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Natalie Forrester is an Irish artist, she brings her flamboyant use of colour and raw tactile qualities to her artwork. Deeply rooted in colour psychology, each artwork has a conscious colour combination with the intent to draw into human emotions, from exciting to calming. She paints using acrylics directly onto paper or Italian canvas. Her artwork is printed on homeware and wearables using vegan inks, one at a time to avoid over production. Born in Dublin, Ireland, she attended the National College of Art and Design graduating in 2006 with a Bachelor of Design specialising in printed textile design. After graduating she travelled the world seeking inspiration, studying how sunlight intensifies the natural saturation of colours and worn manmade textures. She worked for a decade in the design world including fashion in New York, branding in Qatar and graphic design in Dublin before turning to art full time. She lives in Hungary with her husband and son.
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