181 Views
2
View In My Room
Fine Art Paper
8 x 10 in ($40)
White ($80)
181 Views
2
In this painting you can see some very french patisseries, Religieuses au chocolat and Macarons, you can also see american Carrot cake slices and floating Cake pops. I'm enjoying mixing cakes from different countries in these yummy bouquets. These bouquets are like our contemporary societies, where so many nationalities mix to create a beautiful multicultural environment. Each sweet arrangement is painted on layers of recycled materials, like plastics, metal or papers, in an effort to find new ways to use them instead of throwing them away. This painting has very playful colors and would brighten any kitchen or dining room. The sides are painted, but you can always add a frame if you'd like. There's a wire in the back, it's ready to hang. I hope you like it! Let me know if you would have any question.
2020
Giclee on Fine Art Paper
8 W x 10 H x 0.1 D in
13.25 W x 15.25 H x 1.2 D in
White
Yes
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Fleur Spolidor is a french artist born in Paris who lived in Zurich and San Francisco and recently moved to Amsterdam. Daughter of a metallurgist engineer and a Freudian psychotherapist, she enjoys reading nonsense literature and adventure novels. She earned a M.F.A degree in Art History from a french University and subsequently taught Art History and Fine Art at the same university and in private Schools of Design. In 2004 she moved to California and started a successful business, teaching art classes in french to kids and adults. Spolidor has a knack for learning new art techniques: from stained glass to virtual reality painting. While playing with different techniques, she pushes her work towards contemporary issues like the never ending need to protect women’s rights and the accelerating global warming. Her main body of work called “Alice”, depicts the different characters of Lewis Carroll’s book in modern San Francisco with a vintage flair. She paints them over layers of found materials like plastic, fabric, metal, paper in an effort to recycle and reuse instead of discarding. In her other series called “Paris Flood” Spolidor mixes images of a century ago with photos found in the news. She mixes traditional and modern, digital and analog to try to reconnect the spectator with the scene he’s looking at. When we look at an old photograph, time gives a romantic patina to the event, we forget the suffering to only see the surrealism of the scene. When Spolidor superimposes old and new images, the catastrophes take another dimension. The past becomes a witness of our limited memory and our inability to plan for long term future. Superimposition works as a revealer. As we look through the membranes of the image, we go back to the essential. Spolidor’s figurative work drifts between nonsense and satyre, between past and present, to reflect on mankind’s short memory and the recurring mistakes we keep on making.
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