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View In My Room
Fine Art Paper
6 x 12 in ($100)
White ($80)
66 Views
0
Featured in the works are living forms represented by human and animal figures, including birds, articles of furniture, stairs, and architectural outlines. The blurred features are sometimes simplified, or, alternatively, disfigured; the artist also draws on his vast artistic experiences in the quest for novelty as well as all the possible windows transforming form into a format resembling a symbolically-loaded visual composition, the better to shed a specific reality and soar towards space. Swept up by the artist’s expanding expressionist range, the beholder travels along optical pathways forged by the artist by means of signals and marks forming a backdrop which is simultaneously minimalist and brimming with contradictory elements. Wael Darwesh tackles head-on the challenging task of formative transformations; he accomplishes this by the deliberate distortion of his figures, a central feature of his work that goes beyond artistic concerns to attain the core idea of the work. These transformations seek to express the spirit of the moment in order to create a distance between the comprehensible and the imaginary. Portraying his figures inside an interstitial space enriches the work with an abundance of contradictions, within the folds of which we find images of clarity and ambiguity in terms of good and evil. It is as if these images exist in a mythical place where these overlapping givens are simply accepted as a reality, one that personifies the artist’s scheme of things abounding in paradoxical and metaphorical elements embossed with the image of man in nature
Giclee on Fine Art Paper
6 W x 12 H x 0.1 D in
11.25 W x 17.25 H x 1.2 D in
White
Yes
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I am a painter, video and installation artist. In my painting I am obsessed by the human movement and their quest for freedom, while in my mixed media works and installation, I apply assemblages to create sculptural states that transcend simple two-dimensional art forms; through the studied and experimental use of collage I combine color, calligraphy, textile, and various textural media to explore issues of gender, independence, freedom, space and passage of time. my art is inspired by the society in which I live and the economic and social situation and the political community in which we live and through the hopes and the joys and sorrows of the people and by reading newspapers or watching the media and was inspired by my work from all that surrounds personally considered my art form and my personal view in what it takes personally and what motivates me to do my job is my duty towards national and then about myself and my conscience artwork And adopt my art on the color, which is energy and movement, including the so-called (action Painting) and adopted much on the icon in the shape and meaning as adopted also on the type of Surrealism in meaning and expression as well as transparencies color and the strength of the lines in the expression also used the human element in the expression of the concept of artwork. The message that I want to achieve in my career through my art is the new vision of all that surrounds us and the expression of the events or things through a different perspective and to develop techniques work of art both in terms of the idea or mode of expression and the message that I work for it is monitoring the political and social development in the community in which I live and the impact on other communities. And art in general is an enlightenment and educational illuminate the public awareness and insight facts and reality and reveal to him the imbalance in society and art has a very important role in building a democratic culture is a culture and conscience of society.
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The very title of the artist’s collection
‘Time Intermezzo’
takes us by surprise
sparking our curiosity as to whether the displayed works are inspired by the formal
the quirky
or the bizarre (the frivolous). It is these musings that bring us closer to this dynamic artist whose canvas literally bursts forth with a profusion of forms and motifs. The thinking process preceding the actual artwork involves the presentation of a preliminary blueprint where the visual composition is overpowered by an aesthetic intelligence which shapes the formative elements
so that the forms and motifs filling the foreground alternately come together or move apart. Balance is constructed by means of semi-consciously spontaneous formats with the surface of the work is covered with a richly contradictory mosaic representing the artist’s accumulated cognitive and sensory experiences. His artistic intelligence disdains elaboration in addressing a certain theme
sufficing with subtle hints to stimulate our curiosity as if the artist has an intuitive feel for our response and sense of engagement within a humanistic framework.