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Tawaf/ Sa'y: In Love With/ Struggle For Print

Nsenga Knight

United States

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About The Artwork

Oilstick and Gesso on Vegetable Parchment Paper The Tawaf/ Sa’y, 2013 - 2022, text-based paintings were inspired by my interest in Malcolm X's journal entries on the occasion of his pilgrimage to Mecca and appropriate text from the hajj memoir of one of his contemporaries - Iranian revolutionary and Sociologist Ali Shariati. In their texts, both Malcolm X and Shariati state that the rituals of the hajj are performed in the footsteps of Hajjar, a Black woman. These works are a formal exploration of reconciled binaries in the hajj ritual performance tradition and invoke aesthetic references to Abū Rayhạ̄n al-Bīrūnī’s 10th century astronomical renderings and expand on text painting traditions of artists Mira Schendel, Glenn Ligon and Jasper Johns. “ Hajj is the combination of Tawaf and Sa’y. It resolves the contradictions that have confused mankind throughout history: Materialism or idealism? Rationalism or enlightenment? This world or the hereafter? Epicureanism or asceticism? The will of Allah or the will of man? To rely on Him or the will of man? To rely on Him or rely on oneself? ---Both! ... A lesson not by words perception, science nor philosophy but by showing you an example of a human… a black Ethiopian slave and a mother. It is Hajar!” -Hajj, Ali Shariati

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Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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My paintings, drawings, prints, and collaborative social practice projects reference Islamic ritual and cosmology, Black history archives, and personal memoirs. My creative process is grounded in research and experimentation within abstract, documentary and conceptual art traditions. I was born in Brooklyn, NY to parents who immigrated to the US from the Caribbean and South America in the 1970’s as teenagers and converted from Christianity to Islam as young adults, raising me within their new faith and country. Their fluid and willful transitions between place, philosophies, and histories has developed my understanding of the visual world – its nuances and boundaries, and the need to resist, reevaluate, and push beyond its limits. Through the experience of looking at/ participating in my artwork, I am inviting my audiences to embrace new possibilities that challenge traditional boundaries of race, nationhood, and religion; and create wholly new constructions that broaden our collective imaginations. Nsenga Knight was born in 1981 in Brooklyn, New York. She currently lives and works in Cairo, Egypt and New York. Knight has been awarded with a Pollock-Krasner Foundation Grant, a Foundation for Contemporary Arts grant, a Southern Constellations Fellowship, the Leeway Foundation Art and Change Grant, and Brooklyn Arts Council grants. She has held artist residencies at BRICworkspace in Brooklyn, NY, the Drawing Center in New York, Elsewhere Museum in Greensboro, North Carolina, the Galveston Artist Residency in Galveston, Texas, Brandywine Workshop in Philadelphia, Film/Video Arts Center in New York, and was a BCAT/ Rotunda Gallery Multimedia Artist in Resident in Brooklyn, NY.

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