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Original Abstract Painting by Lioda Conrad Fine Art
Original Abstract Painting by Lioda Conrad Fine Art
small-01
Original Abstract Painting by Lioda Conrad Fine Art
small-02
Original Abstract Painting by Lioda Conrad Fine Art
Original Abstract Painting by Lioda Conrad Fine Art
Original Abstract Painting by Lioda Conrad Fine Art
Original Abstract Painting by Lioda Conrad Fine Art
Original Abstract Painting by Lioda Conrad Fine Art

11

"The Colour of Our Blood is always Red" Fine Art Print

Lioda Conrad Fine Art, France

$40

Material
  • 100% cotton, acid-free, museum quality paper
  • Printed with archival pigmented inks
  • Has a 2"-3" white border with matte finish
Fine Art Paper
Size
10 x 10 in ($40)
Frame
No Frame

Archival-grade Materials

Fade-resistant Inks

Professionally Printed

Artist Recognition

ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

My Current observations regarding art in general... Illustration is more popular than fine art., touching on comic book imagery. Ideas are surpassing actual execution in importance. Self-images (Dress up selfies) are considered as great works of art. Social media is the new incorrect measure of "go...

Year Created:

2017

Subject:
Styles:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

Lioda Conrad Fine Art

About the Artist

Lioda Conrad Fine Art

France

Fire is a destructive force. I use it to create some of my most fragile works.
These are not portraits of people.They are portraits of interior states — the ones that don't have names yet. The weight that sits behind composed eyes. The bruised inner life of someone who has learned to appear fine. The turmoil that never quite surfaces. I work in oil, in fumage — flame held close to paper until the face appears in the soot, not drawn but found — and in the kind of line that confesses rather than constructs. I was born in South Africa. I live in France. My work lives in private collections across four continents, with people who recognised something in it they couldn't find language for the before they saw it. If you recognise something in this work, that recognition is the point.— Lioda Conrad

Recognition:

  • Artist featured in a collection

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