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The Corner Print

Netta Canfi

Israel

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About The Artwork

"Half a Tree" is what I call the phenomenon where trees are planted too close to buildings or roads and get half of their canopy trimmed off because of it. This is a painting of the corner of HaZait street, where I live, with road 653 that leads to the village. And it is also "the corner" cut-out of the giant ficus trees to allow cars to pass under them. ​ This painting is part of an ongoing series of works called "Half a Tree", first shown at a group exhibition in Gross Gallery in Tel Aviv, may she rest in peace. ​ ​It's a very small painting, 15x15 cm, highly detailed, a carefully painted miniature. Painted in Gouache on Canvas, with a gouache varnish finish. I was just starting to experiment in gouache and loved its velvety, thick consistency that allowed me to layer light over dark paint. The gouache varnish preserves a matt appearance but it's not as chalky as raw gouache. The painting is framed, in a wrap-around natural birch wood frame. It was exhibited in a group exhibition: "Nature, Environment, and Sustainability in Contemporary Israeli Art", Bat Yam Art Institute, Israel, 2021. I presented it alongside two large works, and it was amazing to see how people walked right up to the small painting to study it more closely. The tiny depiction of an enormous tree was not intentional, but in retrospect, it helps give the viewer the same feeling I had when I saw this tree: crammed and cut to fit the needs of mankind.

Details & Dimensions

Print:Giclee on Fine Art Paper

Size:10 W x 10 H x 0.1 D in

Size with Frame:15.25 W x 15.25 H x 1.2 D in

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After 14 years of commercial animation, I started painting outdoors with a friend. Over two years of painting trips, a theme emerged: "Half a Tree". This is what I call the trees on the streets of Tel Aviv that are planted too close to a building, so half their canopy gets cut off. In these outings, I discovered many more types of "Half Trees" - various ways in which humans shape nature, especially in agricultural uses. The net-covered fruit trees became an obsession of sorts; they inspire me to play with their shapes. On weekends I fly gliders and see the world from another perspective. Drawing while flying is, well, inadvisable, so I practice remembering what I see. From cloud-base, not very high, I see more types of manmade landscapes. I often paint these experiences from memory, sometimes mixed with imagination. These types of works have less detail and more emotion in them. I explore the shapes that I see: the wild ones, the man-made ones, and what happens when they interact. Bio I was born in the desert, in the bright yellow light of Beer Sheva, Israel. I've lived in the clear mountain air of Jerusalem, in grey Brighton, England, in the heart of the White City of Tel Aviv, and I now live and work in the country, in the village of Givat Ada, surrounded by vineyards and wheat fields. I graduated from Bezalel Academy of Art and Design as an Animator and have worked as a commercial animator and illustrator for about two decades. I'm inspired by the sculptures by Dani Karavan. I grew up and continue to live in his creations. As a small child, I played in the Negev Brigade Memorial, not knowing what it meant, only realizing on a very basic level that someone, a person, an artist, has created this experience for me. I'm also inspired by the many archeological sites all over my country, by great animated movies, and by the impressionist and how they painted their life on the water. Quite a few of the impressionists were avid boaters, and they painted all aspects of the boating life. This inspired me to do the same with gliding. I am a glider pilot and the only woman in my country to have ever achieved a CFIG rating.

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