156 Views
7
View In My Room
Canvas
16 x 16 in ($125)
White Canvas
White ($150)
156 Views
7
"The Head of the Roman Coin," an abstract creation on a circular canvas-on-cardboard, is a striking meditation on wealth and its ancient mythologies. The artist conjures a palette reminiscent of the opulence of Rome—red and yellow flowing across a lustrous gold backdrop. These colors bleed and blend with the fervency of molten metal, invoking the imagery of a coin just struck from the furnace of Vulcan, the god of fire and forge. The round canvas itself, an allusion to the ancient coins that once bore the profiles of emperors and deities, becomes a vessel for historical reverie. The gold paint on the back, visible from the front in a deliberate spillage, suggests the imperfections of a hand-hammered coin, a nod to the human element in even the most divine of creations. This artistic choice could also be seen as a reference to Midas’s touch, where the pursuit of wealth could lead to unexpected outcomes. In Roman mythology, wealth was often depicted as a double-edged sword—a source of power, yet fraught with peril. The flowing red and yellow may also evoke the tale of the goddess Fortuna, her ever-changing moods dictating the fates of men, turning the wheel of fortune on which the mighty and humble alike were bound. The colors' fluidity on the canvas represents this capricious nature of fortune—flowing and ebbing in an eternal dance. "The Head of the Roman Coin" is a modern abstraction yet deeply rooted in the lore of antiquity. It is a contemporary reflection on the myths that have shaped human understanding of wealth, power, and the forces that wield them. The canvas is a visual symphony that plays with the grandeur and the mythological narratives of Rome, reminding us that the stories we have woven around wealth are as timeless as the metals we have minted into currency.
2023
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Printing facility in California.
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United Kingdom
One falls with the rain One runs with the wind One tries... but remains A child of time Blessing can be, reading one mind Course to return on Bering Strait Line Hold Glory to Gods Pray to collect Francium Butterflies Constantly fight Aurora Tides One lives or One dies One trusts if One must Tries...but still whispers Invisible colours On the derelict roof of this time. In the compelling verses of this poem, the reader encounters the portrait of an artist as a vessel through which the elemental forces of nature and time flow and converge. With a deft use of metaphor, the poet paints the artist as one with the rain and wind—mediums in the eternal act of creation, surrendering yet resisting the ephemeral dance of existence. The artist is both a participant and observer, wrestling with the dualities of life and death, trust and doubt, the visible spectrum and the colors beyond our sight. The poet's reference to the Bering Strait Line is not merely a geographical allusion but a symbolic return to origins, a navigational thread through the labyrinth of the creative process. It speaks to the artist's journey, which is both a blessing and a curse—blessed with the clarity of vision that can penetrate one mind, yet cursed with the Sisyphean task of capturing the essence of Francium butterflies, those fleeting moments of beauty and truth, before they decay into the annals of time. The divine is invoked, not as a deity of worship, but as a witness to the grandeur of the struggle—the artist's prayers are not for salvation but for the strength to continue the fight against the 'Aurora Tides,' the overwhelming waves of inspiration and despair that define the act of creation. The final stanza leaves us with a poignant image of an artist, a creator of worlds, who whispers to the invisible hues, leaving a mark on the 'derelict roof of this time.' It is a testament to the often unseen and unheralded act of creation, which takes place in the solitude of the studio, where the artist engages in a silent dialogue with time itself, leaving a legacy that transcends the decay of material existence. Through this poem, the artist is immortalized not just as a creator of art, but as art itself—timeless, enduring, and eternally enmeshed in the canvas of the cosmos.
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