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View In My Room

The Lockdown Landscapes (VI) Void Print

Chris Roth

Germany

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

Select a Size

12 x 8 in ($67)

12 x 8 in ($67)

24 x 16 in ($124)

Add a Frame

White ($80)

Black ($80)

White ($80)

Natural Wood ($80)

Metal: Light Pewter ($150)

Metal: Dark Pewter ($150)

No Frame

$147

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Artist Recognition
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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
SHIPPING AND RETURNS

Darkness arises as the time passes. We live apart from each other, all on our own. Our light is dimmed, our candles burn low. We have to push through, despite it all, despite it all.

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 8 H x 0.1 D in

Size with Frame:

17.25 W x 13.25 H x 1.2 D in

Ready to Hang:

Yes

Frame:

White

Packaging:

Ships in a Box

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships in a box. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

Need more information?

Need more information?

I study perception, bias, memory and filtering. As a psychologist I am conscious of the information processing involved in perception and memory. I work with the ever-changing recollections and filters that we consciously and unconsciously superimpose on our memories. I make filters visible. I distort colors, I warp forms. I often scratch image surfaces to emphasize the two-dimensionality of the canvas, to turn it into a scratched glass pane or mirror. I deliberately choose non-natural colors, I shift into the colorful, garish, absurd. At the same time, drippings, brushstrokes with a clear flow and engraved messages make the artistic process as visible as possible. I want the image (like memory) to be decodeable as a product of conscious and unconscious work. I want to make the color tangible and the process observable. I work fast and mobile. Acrylic paint is usually the medium of my choice. I use paint from tubes as well as acrylic markers and acrylic paint in spray cans. I see myself as an urban flower: What is good enough for graffiti tags is good enough for my art. I work on unstretched canvases. I appreciate the lightness and - at the same time - sturdiness. I frame them in heavy oak slats, which maintains their relative mobility. Stylistically, I find myself between Pop Art, Neo(n)Impressionism and Abstract Expressionism. I like to use neon colours to emphasise the unnaturalness of the medium and the constructed nature of our perception itself.

Artist Recognition
Artist featured in a collection

Artist featured by Saatchi Art in a collection

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