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View In My Room

The Luncheon Print

Laura Davis

United States

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12 x 16 in ($161)

12 x 16 in ($161)

24 x 32 in ($322)

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ABOUT THE ARTWORK

"In this painting I wanted to portray strong, amazing women artists: Yoko Ono, Freda Kahlo, Diane Arbus, Kara Walker, Georgia O'Keeffe, Amy Sherald, Rihanna, Colette, Yayoi Kusama, Xaviera Simmons, Joan Mitchell, Marilyn Minter and Cecily Brown.Laura Davis is a visual artist who through her art, strives to have the viewer gain awareness of her strong earnest brush strokes in her paintings, the scratching and scraping of paint, the emotion of the colors chosen and the energy and passion from her subconscious onto the canvas. Laura believes her soul speaks when she paints. Education BFA, Marymount College of Fordham, 2005 MA, Fordham University, 2004 The Art Student League of New York, 1979 Parsons School of Design, 1977 Pratt Institute, 1976 Herbert H. Lehman College, 1975 Exhibitions 2022, North Carolina Artists, Raleigh Fine Arts Society, North Carolina, USA (Group) 2015, Carrack Modern Art, Durham, N.C., USA (Group) 2014, Fine & Folk Art Carolina, Mebane, N.C., USA (Group) 2013, Chapel Hill Art Gallery, Chapel Hill, N.C., USA (Group) 1989, New York Folk Art Museum, N.Y., USA (Group) 1987, The Silo Gallery, New Milford, Ct., USA (Individual) 1987, Gallery Parr, New York, USA (Group)

DETAILS AND DIMENSIONS
Print:

Giclee on Canvas

Size:

12 W x 16 H x 1.25 D in

Size with Frame:

13.75 W x 17.75 H x 1.25 D in

SHIPPING AND RETURNS
Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

I strive to paint from my gut a surge of body parts that are both on the fringes of figural and unknowing. At a gaze one can feel as if peeking into a secret message of a sexual ritual. Within the erotic body parts (dominated by females,) I paint for the mystery of lines, color, shapes to convey a climax of thought. The grotesque prevails despite the sensual nature of my paintings, there is the expressive, unsettling, and visceral confirmation that the subject matter of a given work is typically intended to unsettle the viewer while making it their own visual.

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