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The Majella Print

Katia Demyanova

Italy

Open Edition Prints Available:
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Fine Art Paper

Fine Art Paper

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12 x 9 in ($40)

12 x 9 in ($40)

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Black ($80)

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Metal: Dark Pewter ($150)

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$40

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ABOUT THE ARTWORK
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The Majella seen from the window of my atelier. The mountains that can be seen everywhere in Abruzzo. It seems that everything is close but it is not true. About 40 km, or 40 minutes on the road that winds through the hills. The picture was painted last November, La Majella and still without snow, t...

Year Created:

2020

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

12 W x 9 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

Expressionist paintings, pastels, and watercolors by the Italian artist Katia Demyanova I'm Katia. Katia Demyanova. And I do painting, already more than 30 years. In the field of artistic expressiveness there are themes that have always occupied a relevant place — for me it's borders. The border between sleep and reality, between light and shadow, between the figurative and the abstract. And this is more important. In my paintings you see the trees, the houses, the sea and the sky, even people sometimes. But it is useless to try to calculate the tiles on the roofs or the olives in the garden — the detail does not already exist. I have a series of paintings — “The objects that disappear”, the objects are still there, still present, even recognizable, but for how long. Who knows — this for me is a boundary between the concrete and the abstract. The location the most vulnerable and the most interesting. Therefore painting for me is like a bridge, a bridge, where you walk with your impressions that you have to transform who knows how. And perhaps this is also the metaphor of life itself, but this is too sad. And whether to talk about concrete things: I was born in Moscow, where I also took my first painting lessons. Then came Paris — Ecole des Beaux Arts. Then I was forced to leave Russia, and with my husband we have chosen Italy and have moved to Lanciano, a miraculous city in Abruzzo. Now I live and work in Lanciano.

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