159 Views
7
View In My Room
Canvas
16 x 16 in ($125)
White Canvas
White ($150)
159 Views
7
"The Tail of the Roman Coin," a companion piece to its predecessor, yet stands alone as a sovereign commentary on the other side of wealth—the side often hidden from the glint of gold. This abstract painting on a round canvas-on-cardboard is a masterful chromatic journey, with a cascade of green consuming the red at the center, which in turn fades into a yellow/orange crescendo on the right. In this piece, the green's prominence on the left is evocative of bountifulness and growth, a color often associated with the abundance of the earth and the providence of the harvest. It seems to symbolize the goddess Ceres, Roman deity of agriculture, swallowing the fiery red of Mars—the god of war and embodiment of chaos. This could be interpreted as a visual metaphor for the way in which prosperity can often overcome conflict, or perhaps the way in which the pursuit of wealth can lead to its own kind of discord. The canvas itself, once again, bears the irregularities of gold paint spilling over from the back, reinforcing the idea of imperfection and the hand of the creator within the seemingly divine. This painting offers a counterpoint to "The Head of the Roman Coin," as if to complete the narrative. Together, they tell a story of balance—the lavish allure of gold against the stabilizing force of green, signifying not just wealth but also its potential to nurture or destroy. "The Tail of the Roman Coin" is not merely an abstract exploration of color, but a philosophical rumination on the duality of fortune. The piece balances the opulence and the peril that come with wealth, the blessings of Ceres against the wrath of Mars, suggesting that fortune, much like the coin, has two faces, each with its own tale to tell. The artistry lies in the harmony of hues, each vying for dominance, yet each essential to the fullness of the narrative—the fullness of the coin.
2023
Giclee on Canvas
16 W x 16 H x 1.25 D in
17.75 W x 17.75 H x 1.25 D in
White
White Canvas
Yes
Ships in a Box
Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.
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Printing facility in California.
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United Kingdom
One falls with the rain One runs with the wind One tries... but remains A child of time Blessing can be, reading one mind Course to return on Bering Strait Line Hold Glory to Gods Pray to collect Francium Butterflies Constantly fight Aurora Tides One lives or One dies One trusts if One must Tries...but still whispers Invisible colours On the derelict roof of this time. In the compelling verses of this poem, the reader encounters the portrait of an artist as a vessel through which the elemental forces of nature and time flow and converge. With a deft use of metaphor, the poet paints the artist as one with the rain and wind—mediums in the eternal act of creation, surrendering yet resisting the ephemeral dance of existence. The artist is both a participant and observer, wrestling with the dualities of life and death, trust and doubt, the visible spectrum and the colors beyond our sight. The poet's reference to the Bering Strait Line is not merely a geographical allusion but a symbolic return to origins, a navigational thread through the labyrinth of the creative process. It speaks to the artist's journey, which is both a blessing and a curse—blessed with the clarity of vision that can penetrate one mind, yet cursed with the Sisyphean task of capturing the essence of Francium butterflies, those fleeting moments of beauty and truth, before they decay into the annals of time. The divine is invoked, not as a deity of worship, but as a witness to the grandeur of the struggle—the artist's prayers are not for salvation but for the strength to continue the fight against the 'Aurora Tides,' the overwhelming waves of inspiration and despair that define the act of creation. The final stanza leaves us with a poignant image of an artist, a creator of worlds, who whispers to the invisible hues, leaving a mark on the 'derelict roof of this time.' It is a testament to the often unseen and unheralded act of creation, which takes place in the solitude of the studio, where the artist engages in a silent dialogue with time itself, leaving a legacy that transcends the decay of material existence. Through this poem, the artist is immortalized not just as a creator of art, but as art itself—timeless, enduring, and eternally enmeshed in the canvas of the cosmos.
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