The beautiful signs of the Swans. Print

I am a plural artist of Italian origin, and Parisian by adoption—a painter, illustrator, dancer, choreographer, actress, director, and author. My research revolves around the Human Being, the Feminine, and Alchemical Marriage, often inspired by fairy tales, mythology, and theatre. I have had a visceral love for all arts ever since I was little. Dancing, painting, writing, and theatre were my Friends, my Allies, my Nurses. They were necessary, like the air we breathe, essential and pure like water, and like the soil of my inner earth. They are magical bridges that allow my mind to touch on the “Greater Than ALL.” The Arts were my guides in my childhood, and today they are part of my Being as compasses, fields of development, and vehicles of beauty and authenticity. As a very imaginative Child, I found solace in the Arts, structuring myself little by little with perseverance and tenacity. My relationship with the Arts is as vital as my relationship with Animals and Nature, which helped me reconnect with my animal part and with my feelings, as they are very linked to femininity and spirituality. All my Creations are connected to each other, to serve the Human Being in the journey of knowledge towards Self-Love. Self-taught in painting, I studied visual communication at the Politecnico in Milan and undertook a master’s degree in Theatre Sciences and Techniques in Venice. I then worked as an assistant director at the Teatro Stabile in Turin, the Teatro Due in Parma, the Teatro Libero in Milan, and the Auditorium Verdi in the same city. As a co-director with Davide Ortelli for the opera La Didone by Francesca Cavalli, I worked at the Teatro Malibran in Venice, at the Teatro Carignano in Turin, and at the Teatro alla Scala in Milan. I arrived in Paris in 2007 for an internship in the Comédie Française's production of Molière's Le Misanthrope, directed by Lukas Hemleb. During the year 2007/2008, I completed the first year of training at the Jacques Lecoq International Theatre School and the Movement Study Laboratory (LEM) course. I trained in classical dance with Angelo Moretto and in contemporary dance. In Paris, I discovered the Graham technique. I regularly train in classical, Graham, and contemporary dance. In Paris, I have passionately created several plays and video creations around identity, resilience, and awakening consciousness.