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View In My Room

The silence of complicity n.1 Print

Greta Coutinho

Brazil

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183 Views

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ABOUT THE ARTWORK
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Representing the image of women in the world, the burden of inhabiting the body-woman and how her movement transits socially has been a great challenge. Especially what feelings this representation causes me. Bringing the silence, the blue, the position of these women, is a combination of which also...

Year Created:

2023

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

10 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

Brazilian visual artist, lives and works in Århus, Denmark. She holds a degree in Literature from the University of São Paulo (2016), a degree in Visual Arts (2020) from the Pan-American School of Art and Design, and postgraduate degree in Psychoanalysis, Art, and Literature at the ESPE Institute. In recent years, she has been part of writing study groups with Ana Estaregui, Noemi Jaffe (at Escrevedeira, SP-Brazil), Angélica Freitas, and Aline Bei, as well as painting study groups (both practice and reflection) with Regina Parra, Paulo Pasta (at Tomie Ohtake, SP-Brazil), Anna Costa e Silva (at the Visual Arts School of Parque Lage, RJ-Brazil), the Uncool Artist community, Taller Diligente (in Buenos Aires, Argentina), and Aguafuerte Taller (in Santiago, Chile). She is currently a member of FIGAS – the Research Group on Feminisms, Images, Genders, and Arts at UNESP. In her visual research, she seeks to connect different languages—such as painting, writing, video, and ceramics—with the intention of portraying the psychoanalytic theme of female devastation, the inheritance of female complicity, and the shared experience of anguish and the burden of inhabiting the female body.

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