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Toscana Print

Jill Slaymaker

United States

Open Edition Prints Available:
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8 x 10 in ($100)

8 x 10 in ($100)

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ABOUT THE ARTWORK
DETAILS AND DIMENSIONS
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Toscana (Tuscany) was my first oil painting on paper in the Orange Tree series. It was created in a 1,000 year old studio at La Macina de San Cresci, in Tuscany, during an art residency. The Orange Tree series was inspired by a 900-year-old melangolo (bitter orange) tree I saw in Rome, still beari...

Year Created:

2018

Subject:
Medium:

Print, Giclee on Fine Art Paper

Rarity:

Open Edition

Size:

8 W x 10 H x 0.1 D in

Ready to Hang:

No

Frame:

Not Framed

Packaging:

Ships Rolled in a Tube

Delivery Cost:

Calculated at checkout.

Delivery Time:

Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns:

All Open Edition prints are final sale items and ineligible for returns. Visit our help section for more information.

Handling:

Ships rolled in a tube. Art prints are packaged and shipped by our printing partner.

Ships From:

Printing facility in California.

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Need more information?

Exploring the idea of multiple and simultaneous realities, as well as the interconnectedness and interdependence of all phenomena, is the focus of my work. I sometimes paint over journal pages, doodles, and in Mostly Bad Ideas, index cards with ideas for artworks never executed. Transforming personal ephemera into art is a way of layering meaning, wasting nothing, and witnessing the passage of time through personal history. I'm trying to capture the idea that we each view the world through a unique lens, and though connected, we exist in a world of endless and conflicting realities. The "handbook" drawings began by discovering a 1944 medical book investigating hand shapes and illness. Its images of supposedly schizophrenic hands intrigued me. I've been painting over its pages, creating groups of six drawings to be framed together as one. My End is My Beginning and My Senses Unsensed are the first groups in the series. I combine fragmented 'puzzle piece' images to create semi-abstract, open ended narratives . I have experimented with many techniques and media over the years, including iron oxide, slate, beeswax, glow-in-the-dark paint, metal leaf, blood, sound, found objects, installation, mosaic tile, lithography, etching and chine colle. - new work - thirty years' work

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